Audience members react as American singer-songwriter Taylor Swift gets onstage to receive the Artist of the Year award during 2022 American Music Awards, at the Microsoft Theater in Los Angeles, California, U.S., November 20, 2022. (Photo by Mario Anzuoni/Reuters)

A juvenile blackcap is recorded in the soft light of morning at Minorca, UK, a former open-cast mine near Moira in the National Forest on June 18, 2025. Dr Heather Gilbert, research and evidence manager, checks mist nets among wildflowers and young trees as part of long-term monitoring that shows bird numbers have increased by 48 per cent over 30 years. (Photo by Rod Kirkpatrick/RKP Photography)

Elderly people attend an aquatic exercise at a private pool in Bangkok, Thailand, April 28, 2016. Many Thai families look after elderly relatives at a cost that countrywide adds up to just under a third of household income. The number of families facing this issue will balloon as the population ages at a rate among the fastest in Southeast Asia. (Photo by Athit Perawongmetha/Reuters)

David Goffin of Belgium meets a koala during a promotional event for the Australian Open tennis tournament at Melbourne Park on January 17, 2018. (Photo by Fiona Hamilton/Reuters/Tennis Australia)

Lucy Blacker from Australia takes to the water at the 40 Foot for a Christmas Day Swim in Ireland on December 25, 2022. (Photo by Alan Betson/The Irish Times)

Kevin Jay and Nigel Cox perform some light painting on the beach at Frinton-on-Sea in Essex, UK using colour changing LED light wands during a 25-second exposure on March 4, 2024. (Photo by Kevin Jay/Picture Exclusive)

Geordie Shore babe Chantelle Connelly enjoys a wild night out in Benidorm, Spain on September 20, 2016 which ended at a strip club with a group of girls for her sisters birthday. (Photo by Danny Ryan/iCelebTV.com)

Wide-angle category winner. Part of the Illusion by Marcus Blatchford (UK). Location: National Dive & Activity Centre, Chepstow, Wales. “This is the deepest inland dive centre in the UK. The dive plan was to explore the deep end, but this time I dived ‘unplugged’ (without my strobes). With the exception of this change to my camera technique, there were no planned shots I wanted to achieve – just a fun dive with ad-hoc photos along the way. Shortly after this photo was captured, in 6C water and two hours of decompression ahead of us, we turned and started the long ascent back to the surface”. (Photo by Marcus Blatchford/Underwater Photographer of the Year 2016)