An Iranian woman gestures as she celebrates in the streets following a nuclear deal with major powers, in Tehran July 14, 2015. Overcoming decades of hostility, Iran, the United States, and five other world powers struck a historic accord Tuesday to check Tehran's nuclear efforts short of building a bomb. The agreement could give Iran access to billions in frozen assets and oil revenue, stave off more U.S. military action in the Middle East and reshape the tumultuous region. (Photo by Reuters/TIMA)

Though finger painting is normally associated with tempera paint and messy classroom art projects, Iris Scott is quickly changing what "finger painting" brings to mind. Wearing surgical gloves and painting with high grade oils, Iris achieves a whirlwind of crisscrossing color strokes and a vibrant impressionistic style. Since 2009, when Iris first began finger painting in Taiwan, her artistic career has caught her by surprise. Grateful for a new global market of online art collectors, Iris has shipped to Dubai, Ireland, and all over the USA.

Live octopus is a delicacy in South Korea but is a known choking hazard, since the still-moving suction cups can cause tentacle pieces to stick in a person's throat. A baby octopus is often consumed whole, while larger varieties are cut up and the still-wriggling tentacles eaten with a splash of sesame oil. Photo: A South Korean man and a woman eat a live octopus during an event to promote a local food festival in Seoul on September 12, 2013. (Photo by Jung Yeon-Je/AFP Photo)

Ender Moreno looks for gold at La Culebra gold mine in El Callao, Bolivar state, southeastern Venezuela on March 1, 2017. Although life in the mines of eastern Venezuela is hard and dangerous, tens of thousands from all over the country head for the mines daily in overcrowded trucks, pushed by the rise in gold prices and by the severe economic crisis affecting the country, aggravated recently by the drop in oil prices. (Photo by Juan Barreto/AFP Photo)

Matador Marco Espinola, who emigrated from the Azores two years ago, challenges a bull during an Azorean “tourada a corda” (bullfight by rope) in Brampton, Ontario August 15, 2015. Bulls in a tourada a corda are held by a rope controlled by a team of men to make sure the animal does not cause injury. Bulls are never killed, in contrast with bullfighting in Spain. The Portuguese population in Canada, numbering 429,000 in the 2011 census, mainly centers around Toronto with immigrants from the nine islands of the mid-Atlantic Azores archipelago. (Photo by Chris Helgren/Reuters)

This Thursday, January 22, 2015 photo made with a long exposure shows the glow from a Noctiluca scintillans algal bloom along the seashore in Hong Kong. The luminescence, also called Sea Sparkle, is triggered by farm pollution that can be devastating to marine life and local fisheries, according to University of Georgia oceanographer Samantha Joye. Noctiluca itself does not produce neurotoxins like other similar organisms do. But its role as both prey and predator tends can eventually magnify the accumulation of toxins in the food chain, according to R. Eugene Turner at Louisiana State University. (Photo by Kin Cheung/AP Photo)

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.

Pavel Sidorenko is an award winning Estonian designer who was born in 1980 in Tallinn and studied product design at Estonian Academy of Arts and Graduated in 2006. Not only does he incorporate pragmatic necessity, but also transmits an emotional qualities within the everyday environment. His fantastic collection of Re Vinyl designs are a result of upcycling a product fashioned from old vinyl records. Beautifully crafted and working with a range of themes from scenography to animal creatures, there is sure to be something for everyone with these stylish selection of recycled vinyl clocks!