Ahead of May Day, AFP' s video and photo teams spoke to men and women around the globe whose jobs are becoming increasingly rare, particularly as technology transforms societies. Here: Mohammad Ashgar, 65, an Indian rickshaw puller, poses for a photograph next to his rickshaw in Kolkata on April 21, 2018. (Photo by Dibyangshu Sarkar/AFP Photo)

In this Thursday, January 17, 2019, photo, an Indian tamer reacts as a bull charges towards him during a traditional bull-taming festival called Jallikattu, in the village of Allanganallur, near Madurai, Tamil Nadu state, India. Jallikattu involves releasing a bull into a crowd of people who are expected to hang on to the animal's hump for a stipulated distance or hold on to the hump for a minimum of three jumps made by the bull. The sport, performed during the four-day “Pongal” or winter harvest festival, is hugely popular in Tamil Nadu. (Photo by Aijaz Rahi/AP Photo)

Indian Naga Sadhus, or naked holy men, participate in a procession before taking a “shahi snans”, or holy bath, at the Sangam river, the confluence of three of the holiest rivers in Hindu mythology, the Ganga, the Yamuna and the Saraswati, during Kumbh Mela festival in Allahabad, Uttar Pradesh, India, 15 January 2019. The Hindu festival is one of the biggest in India and will be held from 15 January to 04 March 2019 in Allahabad. (Photo by Rajat Gupta/EPA/EFE)

An Indian sadhu (Hindu holy man) sits on the banks of Sangam – the confluence of the Ganges, Yamuna and mythical Saraswati rivers – on the auspicious bathing day of 'Maghi Purnima' during the Kumbh Mela festival in Allahabad on February 19, 2019. Millions of Hindu pilgrims took the plunge in holy rivers on the most auspicious bathing days of the Kumbh Mela festival, led by naked, ash-smeared holy men and accompanied by chants from Hindu holy texts. (Photo by Sanjay Kanojia/AFP Photo)

A child dressed as Hindu God Shiva begs for alms from devotees at the Sangam, the confluence of three rivers – the Ganges, the Yamuna and the mythical Saraswati, on the Makar Sankranti festival during the annual traditional fair of Magh Mela in Prayagraj, in the northern Indian state of Uttar Pradesh, Sunday, January 14, 2024. Hundreds of thousands of Hindu pilgrims are expected to take dips in the confluence, hoping to wash away sins during the month-long festival. (Photo by Rajesh Kumar Singh/AP Photo)

This photograph taken on January 30, 2025 shows a labourer looking into a Hindustan Ambassador yellow taxi, transporting fish at a wholesale market in Kolkata. Kolkata cherishes its past, which is why the one-time Indian capital is mourning a vanishing emblem of its faded grandeur: a hulking and noisy fleet of stately yellow taxis. (Photo by Dibyangshu Sarkar/AFP Photo)

The Indian community and supporters living in Brazil celebrate the festival of colors in Sao Paulo, Brazil on March 24, 2024. A Burst of Colors and Tradition Holi, characterized by vivid hues, gulaal, and rituals, transcends mere festivity; it's a grand jubilation of joy and camaraderie. Legend has it that the festival commemorates the triumph of Lord Narasimha over the demon Hiranyakashyap, representing the victory of righteousness over malevolence. (Photo by Dario Oliveira/ZUMA Press Wire/Rex Features/Shutterstock)

Rangoli, also known as kolam or Muggu, is a folk art from India in which patterns are created on the floor in living rooms or courtyards using materials such as colored rice, dry flour, colored sand or flower petals. It is usually made during Diwali, Onam, Pongal and other Indian festivals. They are meant to be sacred welcoming areas for the Hindu deities. The ancient symbols have been passed down through the ages, from each generation to the next, keeping both the art form and the tradition alive. Similar practices are followed in different Indian states: in Tamil Nadu, there is Kolam in Tamil Nadu; Mandana in Rajasthan; Chaookpurna in Chhattisgarh; Alpana in West Bengal; Aripana in Bihar; Chowk pujan in Uttar Pradesh; Muggu in Andhra Pradesh and others.