A woman stands in front of a mask-clad lion statue outside a department store in Tokyo's Ginza district on January 18, 2022, as Japan reported a record high of new Covid-19 infections fuelled by the Omicron variant. (Photo by Philip Fong/AFP Photo)

Students learn how to use an airsoft gun from Taiwanese military instructors at Kaohsiung Municipal Sanmin Senior High School in Kaohsiung on January 11, 2024. Kaohsiung City launched a national defence education program using digital technology for all its high school students. The program also promotes drug prevention in cooperation with the Taiwan defense ministry. (Photo by Yasuyoshi Chiba/AFP Photo)

A boy removes rain water from his hut after a heavy downpour in Karachi, Pakistan, 28 August 2016. Heavy monsoon rains across the country has claimed dozens of lives in last few weeks as Pakistan Meteorological Departmen office predict more rains in coming days. (Photo by Shahzaib Akber/EPA)

Independent miners transport llamas to sacrifice them for good fortune during the year as part of Andean carnival celebrations, outside the Mina Itos on the outskirts of Oruro, Bolivia February 24, 2017. (Photo by David Mercado/Reuters)

Indian men sleep in the shadow of an overflowing cloth container of hay, to be used as animal fodder, on a truck on a hot summer day in Ajmer in the western state of Rajasthan on May 30, 2018. (Photo by Shaukat Ahmed/AFP Photo)

In this Wednesday, April 12, 2017, photo, waitresses wait outside a restaurant in Pyongyang, North Korea. A generational divide is quietly growing in North Korea, often hidden behind relentless propaganda. On the streets there are young women in not-quite mini-skirts and teenage boys with baseball hats cocked sideways, K-pop style. (Photo by Wong Maye-E/AP Photo)

Some artists want to convey some deep message through their art, while some are simply satisfied with shocking the audience. Roderique Arisiaman is the latter kind. Though his works do not play on the strings of our emotion, they can pique the interest with their flashy and sometimes humorous appearance. Many of his works have a zombie theme, and are surprisingly well done, especially the one where a man pushes his fingers through his cheek and into his eye. If given the chance, Roderique Arisiaman would probably do a great job of designing a poster for some zombie apocalypse movie. (Photo and caption by Roderique Arisiaman)

A Muslim man carries holy incensed smoke through a pedestrian subway in Mumbai, India, May 13, 2016. (Photo by Danish Siddiqui/Reuters)