Tourists play in the Harbin Ice And Snow World during its test run on December 22, 2015 in Harbin, Heilongjiang Province of China. (Photo by ChinaFotoPress/ChinaFotoPress via Getty Images)

A girl collects drinking water at Dala river outside Yangon, Myanmar March 3, 2016. Some 650 million people, or one in 10 of the world's population, have no access to safe water, putting them at risk of infectious diseases and premature death. Dirty water and poor sanitation can cause severe diarrhoeal diseases in children, killing 900 under-five a day across the world, according to United Nations estimates. (Photo by Soe Zeya Tun/Reuters)

This restroom on the rubbly flanks of Jonsknuten in Norway looks up at the peak of the 904m mountain. Yu have to leave the door open to enjoy the view but the chances of being disturbed are minimal. (Photo by Olaf Menz/Lonely Planet)

Residents wearing masks rest in the shade near a graffiti of a dragon, Friday, May 27, 2022, in Beijing. (Photo by Ng Han Guan/AP Photo)

A man rides a bicycle past a mural portraying Bollywood actor Aamir Khan and slogans to encourage people to cast their vote, in Jalandhar on May 10, 2024 ahead of the fourth phase of voting of India's general election. (Photo by Shammi Mehra/AFP Photo)

The Great Picture” is a black and white panoramic print of Marine Corps Air Station El Toro, an old military outpost. The print measures 111 feet wide by 32 feet high on seamless white muslin cloth. (Photo by Caters News)

Fireworks explode over Elizabeth Tower housing the Big Ben clock in London. (Photo by Kirsty Wigglesworth/Associated Press)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)