The carcass of a yacare caiman lies in the dried-up river bed of the Pilcomayo river in Boqueron, Paraguay, August 14, 2016. In Paraguay, alongside the Pilcomayo River, black vultures flew over a shrinking pond where a group of crocodilian reptiles known as yacare caimans sought refuge. Water from the river, which divides Paraguay and Argentina in the area of the Gran Chaco, was scarce. This is not an uncommon sight in the region of General Diaz, about 700 kilometres (435 miles) northwest of the country's capital Asuncion, where the Pilcomayo's waters form lakes and streams that give life to capybaras, birds and caimans. (Photo by Jorge Adorno/Reuters)

Using body paint and a woodland like location, Gesine appears to have created a model to look just like a red panda, Dortmund, Germany, October, 2016. An artist brings animals to life using body paint and contorted models. At first glance, these images could be mistaken for portraits of wildlife in their natural habitat were created with paper and paint. However, they are actually the incredible works of illusion by talented body painter Gesine Marwedel, who paints models to creates realistic animals. (Photo by Gesine Marwedel/Barcroft Images)

A young sloth named Gloria, that was rescued after being stolen from the wild destined for trafficking, peeks out of the box it is being taken to be released at the city's Botanical Garden in Rio de Janeiro, Brazil, Monday, March 13, 2023. Gloria was cared for by the Free Life Institute NGO that rehabilitates injured wildlife found in the surrounding Rio area and returns them, when possible, back to the wild. Those that are too injured to be released are sent to other rehab centers or sanctuaries to live out their lives in protected environments. (Photo by Bruna Prado/AP Photo)

Tibetan monks create an intricate picture made from coloured sand at St. Mungo Museum of Religious Life and Art on November 23, 2011 in Glasgow, Scotland. The monks, from the Panchen Lama's Monastery, are creating a Sand Mandala as part of a Tantric Buddhist ritual, invoking the presence of the Buddha in a design representing the palace of the deities. (Photo by Jeff J Mitchell/Getty Images)

“I am not a photo reporter, so I don’t feel obligated to honour every detail. What I’m trying to achieve is to emphasize the whole potential of a shot, creating a sight that I'd like if existed.. And since it’s impossible in real life, I do it in virtual :) My work is maybe more similar to ‘photo-painting’ than photography”. – Katarina Stefanović

Photo: Pannonian spring fantasy. (Photo by by Katarina Stefanović)

To produce the images that convey his fatalistic and ironic approach to life, tinged with hope, he needed the environment and knowledge of Mother Russia, oiled with a bit of bribery to certain circus trainers. Enter the Great Russian Bear, the personification of Russia for the last several centuries, onto center stage and into his studio. The bear is recognized as both brutish and cute – Misha was the mascot for the 1980 Olympic Games – and has remained a symbol of Russia since Tsarist times. In 2009 it is the symbol of the United Russia Party.