A fisherman is seen standing on a cliff edge at Cape Bank in La Perouse on February 20, 2011 in Sydney, Australia. The practice of fishing from rock platforms, cliffs and rocky outcrops is notoriously dangerous with many anglers per year being washed into the ocean by dangerous surf or unexpected large waves. Angling is often reported as the sport having the highest mortality rate on average due to fishermen drowning with rocking fishing contributing to a high number of these deaths. (Photo by Mark Kolbe/Getty Images)

Armin Senoner conceptualizes class system based semiotic alpine escape all visuals courtesy of armin senoner. From birth, every human is organized through the hierarchical class system. Without regard to personal characteristics in the least, each is donned with a label; lower, middle, or upper. Society at large is innately regulated because by it, the rich do anything to remain at the top, the middle tries to overthrow the rich, and the poor just try to survive. Modern times, though less brutal, is no less restrained by the unspoken rules of social division.

A hand of a devotee is pictured as she rings a bell while offering prayers to the chariot of God Bhairab during the Bisket festival in Bhaktapur, Nepal, April 13, 2016. During the festival, also regarded as Nepalese New Year, images of the Hindu god Bhairava and his female counterpart Bhadrakali are enshrined in two large chariots and pulled to an open square after which rituals and festivities are performed. (Photo by Navesh Chitrakar/Reuters)

There are not many sculptures in the world that were purposely made to be grotesque, especially on such a large scale. Thus, a Hungarian artist Ervin Loránth Hervé has apparently decided that there isn’t enough horror in this world and created the Feltépve – a sculpture of a stone giant ripping apart the earth in order to break free. However, when we look from another perspective this sculpture might depict a grouchy giant trying to cover himself with a blanket of earth so that everyone would leave him alone. The latter interpretation of this sculpture was probably not intended by the sculptor; however, the way the arms of the giant are positioned makes it look as if it was truly the case.

Family and friends sit in a vehicle trailer, where they will spend the night, near the enclosure for buffalos awaiting sacrifice on the eve of the sacrificial ceremony for the “Gadhimai Mela” festival in Bariyapur November 27, 2014. The festival renowned for its large number of animal sacrifices, is held every five years at the Gadhimai Temple where devotees from Nepal and bordering India will sacrifice buffaloes, goats and birds while offering prayers to Gadhimai, the goddess of power. (Photo by Navesh Chitrakar/Reuters)

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.

Qiandao Lake (Chinese: 千島湖, lit. Thousand Island Lake), a man-made lake located in Chun'an County, Zhejiang, China, formed after the completion of the Xin'an River hydroelectric station in 1959. 1,078 large islands dot the lake and a few thousand smaller ones are scattered across it. The lake covers an area of 573 km² and has a storage capacity of 17.8 km³. The islands in the lake cover about 86 km²