Pakistani laborers transport the front portion of a vehicle using a handcart at a road in Peshawar, Pakistan, Monday, August 3, 2015. (Photo by Mohammad Sajjad/AP Photo)

Khan, a five-year-old male White Bengal tiger, looks on inside an open-air cage at the Royev Ruchey zoo in Krasnoyarsk, Russia, October 21, 2016. (Photo by Ilya Naymushin/Reuters)

“Belarus riot police detained scores of demonstrators at a protest rally against President Alexander Lukashenko. Rallies against Lukashenko's rule are rare in the tightly-policed ex-Soviet republic, but protest calls on social networking sites have multiplied in recent weeks as a severe currency crisis has brought economic hardship. Demonstrators gathered peacefully, simply applauding in a coordinated act of protest”. – Af.Reuters.com (Photo by Anton Motolko; Belarus, Minsk; June 22, 2011)

Julya Baer, 30, attends a candlelight vigil and celebration of Prince's life in Leimert Park in memory of musician Prince on April 21, 2016, in Los Angeles, California. Prince died earlier today at his Paisley Park compound at the age of 57. (Photo by Kevork Djansezian/Getty Images)

Portraits single nominee: Dakar fashion, by Finbarr O’Reilly. Curious residents and a street vendor selling material look on as models Diarra Ndiaye, Ndeye Fatou Mbaye and Malezi Sakho wear outfits by the Senegalese designer Adama Paris in the Medina neighbourhood of Senegal’s capital, Dakar. (Photo by Finbarr O’Reilly/World Press Photo 2019)

A man in a wartime uniform, poses for a photo on an abandoned tank at a beach, ahead of the 60th anniversary of Second Taiwan Straits Crisis against China, in Kinmen, Taiwan on August 19, 2018. (Photo by Tyrone Siu/Reuters)

Activists from the climate action group Ocean Rebellion perform a stunt outside the Science Museum, in London, United Kingdom on May 19, 2021. (Photo by Hannah McKay/Reuters)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.