Picture show a 39-foot whale that was crushed to death hanging lifelessly over the bow of a tanker in Japan. Horrified locals caught sight of the whale as the ship pulled into the harbour of Kurashiki last month, September 2021. (Photo by Newsflash)

A girl splashes water over a boy amidst soaring temperatures at the Shati camp for Palestinian refugees in Gaza City on July 17, 2023. (Photo by Mohammed Abed/AFP Photo)

A Palestinian woman is assisted at the site of an Israeli strike on a house in Rafah in the southern Gaza Strip on October 30, 2023. (Photo by Reuters/Stringer)

Dozens of crocodiles are seen in an inactive farm in the Jordan Valley near the Israeli Petzael settlement in the West Bank on January 18, 2021. Hundreds of crocodiles are stranded in a farm after an Israeli businessmen lost his business as Israel passed a law in 2012 defining the crocodile as a protected animal, and banning raising the animals for sale as meat or merchandise. (Photo by Menahem Kahana/AFP Photo)

The unromantic gypsies. Children boxing in a gypsy camp in Kent, England on July 1, 1951. Like all boys these gypsy lads like to try their hand at boxing. Encouraged by their friends they fight it out on Corke's Meadow. Few Romanies now live a life of wandering romance. Most are like the three hundred squatters of Corke's Meadow, Kent, which is part of a “gypsy problem” that involves about 100,000 today. Of those about 25,000 can be rightly called gypsies, the rest are Mumpers and Posh-rats and Hobos. Corke's Meadow has both kinds. “Picture Post” cameraman Bert Hardy photographs the Corke's Meadow gypsies in their encampment. (Photo by Hulton-Deutsch Collection/Corbis via Getty Images)

A man pours water on his camel on a hot summer day in Ahmedabad, India, May 18, 2017. (Photo by Amit Dave/Reuters)

A Nihang or Sikh warrior performs “Gatka”, an ancient form of Sikh martial arts, during a religious procession on the eve of the birth anniversary of the ninth Sikh Guru Tegh Bahadur outside the Golden Temple in Amritsar on April 17, 2025. (Photo by Narinder Nanu/AFP Photo)

«After Presents», 1996. Siri Kaur: “I was 14 when Simran was born in 1990. We have different mothers, so we grew up separately and I made pictures with her whenever I saw her. The work of Sally Mann and Nan Goldin gave me permission to see my family as a valid art subject. This image shows the aftermath of Christmas morning. Simran is unselfconsciously lounging on the floor, melding into her beloved dog”. (Photo by Siri Kaur)