A woman walks past murals adorning the walls of Garibaldi subway station, in Milan, Friday, February 28, 2020. Due to the COVID-19 virus outbreak in northern Italy, the bustling metropolis of Milan has resembled more of a ghost town lately, as workers stayed home and tourism has dwindled there, and other parts of Italy. (Photo by Luca Bruno/AP Photo)

People wearing mushroom hats stand in front of the Washington Monument in Washington, D.C., U.S., May 14, 2021. (Photo by Andrew Kelly/Reuters)

Brides display their hands decorated with henna around a bride as she poses for her own photographer during a mass marriage ceremony in which, according to its organizers, 70 Muslim couples took their wedding vows, in Ahmedabad, India, February 11, 2018. (Photo by Amit Dave/Reuters)

A member of the Eton public school O.T.C. (Officers Training Corps) practising shouting out orders during a training session, 20th January 1940. (Photo by Hulton Archive/Getty Images)

“Fernando Botero Angulo (born April 19, 1932) is a Colombian figurative artist. His works feature a figurative style, called by some “Boterismo”, which gives them an unmistakable identity. Botero depicts women, men, daily life, historical events and characters, milestones of art, still-life, animals and the natural world in general, with exaggerated and disproportionate volumetry, accompanied by fine details of scathing criticism, irony, humor, and ingenuity”. – Wikipedia

Photo: The Duke and Duchess of Devonshire view “Dancers” by artist Fernando Botero in the gardens of their home Chatsworth House on September 10, 2009, Chatsworth, England. (Photo by Christopher Furlong/Getty Images)

Revellers with their bodies and faces painted attend the "Zombie Walk" parade in Sao Paulo, Brazil, November 2, 2015. (Photo by Paulo Whitaker/Reuters)

Artist Jason deCaires Taylor’s Museo Atlantico, off Lanzarote, is peopled with concrete casts of refugees and people taking selfies. Drowned world: welcome to Europe’s first undersea sculpture museum. Here: The Raft of Lampedusa, Taylor’s modern-day concrete echo of Géricault’s The Raft of the Medusa. The work has particular significance given the huge movement of refugees across the sea to Europe – and the frequent fatalities that result. (Photo by Jason deCaires Taylor)

A model gets ready backstage during a body art festival in Almaty, Kazakhstan, March 23, 2016. (Photo by Shamil Zhumatov/Reuters)