Rev. Yeon Ah Lee Moon of the Sanctuary Church holds a gold AR-15 during a ceremony to rededicate marriages at the World Peace and Unification Sanctuary in Newfoundland, Pennsylvania, USA, 28 February 2018. The church, a breakaway from the Unification Church, believes guns are a symbol of the “rod of iron” referenced in the Book of Revelations. (Photo by Jim Lo Scalzo/EPA/EFE)

The abandoned Moulton and Kyle Funeral Home in Jacksonville, Fla., which is more than 150 years old, was left to rot, with the premises eerily strewn with open caskets, a hearse and embalming chemicals. Much like the corpses that were laid to rest, the remains of this building too are slowly decomposing and decaying. Black mold has engulfed the walls, and chipped tiles from the collapsed ceilings cover many of the floors. (Photo by Abandoned Southeast/Caters News Agency)

Teeming with images of spectacular underwater scenes from around the world, Call of the Blue is the culmination of a five-year project by the photographer and ocean conservationist Philip Hamilton. This groundbreaking book includes contributions from acclaimed scientists and ocean “guardians”, who reveal what drove them to answer the call of the blue. (Photo by Philip Hamilton/The Guardian)

A couple hugs while standing near a Christmas tree made out of plastic bins and plastic hampers outside the Museum of History in Monterrey, Mexico, December 4, 2015. The humble Christmas tree has a rich history, from evergreen trees used to symbolise eternal life in Ancient Egypt to tree worship among pagan Europeans. The modern version has its origins in Germany, where the song “O Tannenbaum” is still a festive favourite. Today the traditional tree with lights and decorations appears in cities including Washington, Moscow and Beirut. Alternative constructions range from recycled rubbish in Mexico City to old window frames in Rakvere, Estonia. Whatever the shape or size, the message is the same: Merry Christmas. (Photo by Neil Hall/Reuters)

Films that are being screened are advertised in a makeshift cinema located under a bridge in the old quarters of Delhi, India May 25, 2016. A makeshift cinema hall under a 140-year-old bridge in the Indian capital is allowing poor rickshaw pullers and migrant labourers to escape daily hardship and sweltering heat into a world of Bollywood song, dance and romance. With the rusty iron floor of the bridge as its ceiling and some old rags acquired on the cheap from a nearby crematorium serving as curtains and floor mats, the cinema shows four films a day. (Photo by Cathal McNaughton/Reuters)

A student of the Orchestra of Recycled Instruments of Cateura holds an instrument made from recycled material by craftsman Nicolas Gomez, in Cateura, near Asuncion, May 9, 2013. The orchestra is the brainchild of its conductor Favio Chavez, who wanted to help the children of garbage pickers at the local landfill, and the instruments are made from salvaged materials by craftsman Gomez. The orchestra now involves 30 schoolchildren who have toured countries in Latin America, North America and Europe to play music ranging from Beethoven and Mozart to the Beatles and Paraguayan folk songs. (Photo by Jorge Adorno/Reuters)

“The Duke and Duchess of Cambridge”, “The Queen” and “Prince Harry” outside the Summerhall arts venue in Edinburgh, Scotland, where their creator Alison Jackson is holding a live performance of her work called La Trashiata. Debuting at the Edinburgh Festival Fringe and broadcast to Odeon Cinemas in association with Hibrow Productions, “La Trashiata” will feature a roster of Alison Jackson's brilliant lookalikes singing some of opera's most famous arias. The stage will be set for uncanny doppelgangers to each take to the stage and perform their amusingly appropriate song. (Photo by James Glossop/The Times/SIPA Press/News Syndication)

Women wearing prosthetic legs participate in a public photo session at the Hasselblad and Profoto booth, during the CP+ camera and imaging equipment trade fair in Yokohama south of Tokyo, February 14, 2015. Japanese prosthetist Fumio Usui inspired the event after collaborating with photographer Takao Ochi in the book project “Amputee Venus” that portrays 11 Japanese women with artificial legs, local media reported. (Photo by Thomas Peter/Reuters)