Afghanistan, published by Taschen later July, is a retrospective portfolio of the Magnum photographer Steve McCurry’s most striking images of the country, from 1979 to 2016. Here: Kunar province, 1980. Armed mujahideen carry animal skins to use as inflatable buoys to cross rapids. (Photo by Steve McCurry/Taschen/Magnum Photos/The Guardian)

N.C. Dezendorf, wife of the general manager of the Electro-Motive division of General Motors, christens the new lightweight “Aerotrain” at the company's locomotive works in La Grange, Ill. on August 22, 1955. (Photo by Edward Kitch/AP Photo)

North Koreans perform during a mass game of “The Land of the People” at the May Day Stadium in Pyongyang, North Korea, Tuesday, June 25, 2019. (Photo by Jon Chol Jin/AP Photo)

Volunteers skin western diamondback rattlesnakes during the 2021 Rattlesnake Roundup at the Nolan County Coliseum in Sweetwater, Texas on March 13, 2021. The town of Sweetwater holds the largest rattlesnake roundup in the world, launched in 1958 with the sole purpose of getting rid of rattlesnakes, killing an average of 5,000 pounds of snake each year. (Photo by Paul Ratje/AFP Photo)

A woman wearing a protective mask walks outside a church in Mandaluyong, east of Manila, Philippines on Sunday, February 2, 2020. The Philippines on Sunday reported the first death of a new virus outside of China, where authorities delayed the opening of schools in the worst-hit province and tightened quarantine measures in another that allow only one family member to venture out to buy supplies. (Photo by Aaron Favila/AP Photo)

A woman wearing a face mask to help protect against the spread of the new coronavirus crosses a stream in Seoul, South Korea, Wednesday, July 15, 2020. (Photo by Lee Jin-man/AP Photo)

I’m an illustrator based in South Wales, UK. I work in pen and ink, creating original illustrations for record cover artwork, shirt design and poster art.

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.