Hao Han (8), Shaolin kung fu student and child actor. Shaolin Monastery, Henan. (Photo by Mathias Braschler and Monika Fischer)

A boy looks for scrap metal using an improvised magnetic tool near a construction site in New Delhi, India, March 21, 2016. (Photo by Cathal McNaughton/Reuters)

The Berenson robot strolls among visitors during the exhibition “Persona : Oddly Human” at the Quai Branly museum in Paris, France, February 23, 2016. The Berenson robot, developed in France in 2011, is the brainchild of anthropologist Denis Vidal and robotics engineer Philippe Gaussier. Its programming allows it to record reactions of museum visitors to certain pieces of art and then use the data to develop its own unique taste, which allows “Berenson” to judge whether or not it likes a certain work of art within an exhibition. (Photo by Philippe Wojazer/Reuters)

A Malaysian Royal Guard wears a protective mask while he stands guard outside National Palace, following the outbreak of a new coronavirus in China, in Kuala Lumpur, Malaysia, February 10, 2020. (Photo by Lim Huey Teng/Reuters)

An Afghan vendor selling birds to be kept as pets wait for customers in his shop in Kabul on December 11, 2021. (Photo by Ahmad Sahel Arman/AFP Photo)

Boys ride a motorbike on their way back home after taking a bath in a canal at Chachura village, in Uttar Pradesh April 4, 2012. (Photo by Parivartan Sharma/Reuters)

A mahout splashes water on his elephant in the river Sabarmati on a hot summer day in Ahmedabad, India, May 20, 2015. (Photo by Amit Dave/Reuters)

When Colin Garratt went to photograph the traditional sentinels of the British countryside, he found they ranged from the dapper to the downright sinister. “They are not from the anaesthetised world of the craft fair”, says Colin Garratt, “but are the direct descendants of the ancient spectres which have haunted the landscape for centuries”. The Scarecrow Exhibition is at Geddes Gallery, London, from 25 to 30 March. (Photo by Colin Garratt)