A walrus takes centre stage after barging another out of the way to be in a photograph in Svalbard, between mainland Norway and the North Pole in January 2025. (Photo by Olav Thokle/Syndicated Photos/Solent News)

Behind the scenes at Rock it Out, a circus show fusing live music and death-defying stunts in West Thurrock, Essex on April 10, 2025. They will attempt a British first: a double somersault on a rotating wheel. (Photo by Jeff Moore)

An employee builds up the figure of the Queen of Hearts from the movie Alice in Wonderland (2010) in the immersive exhibition “Tim Burton's Labyrinth” in Berlin on July 8, 2024. From July 19, 2024, the international exhibition ”Tim Burton's Labyrinth” can be experienced at the Radsetzerei in Berlin. (Photo by Ronny Hartmann/AFP Photo)

Romanian singing duo Gabriella and Monica Irimia, The Cheeky Girls prforms in Falkirk, Scotland on May 4, 2003. (Photo by Michael Schofield/News Group Newspapers Ltd)

An army soldier takes a tree branch from an anti-government protester who is blocking a major highway that links the capital Beirut to northern Lebanon, in the town of Nahr el-Kalb, north of Beirut, Lebanon, Friday, January 3, 2020. Lebanon is facing its worst economic crisis in decades, while protests against corruption and mismanagement have gripped the country since October. (AP Photo/Hussein Malla)

Ahead of May Day, AFP' s video and photo teams spoke to men and women around the globe whose jobs are becoming increasingly rare, particularly as technology transforms societies. Here: Mohammad Ashgar, 65, an Indian rickshaw puller, poses for a photograph next to his rickshaw in Kolkata on April 21, 2018. (Photo by Dibyangshu Sarkar/AFP Photo)

A photographer in Somerset, South West England captured the mating rituals of toads as several males attempt to mate with one female all at once. (Photo by John Waters/NPL)

Performance of the actress Asia Argento dedicated to the exhibition of the tattoo artist Marco Manzo at the Vittoriano museum in Rome, Italy on December 11, 2018. (Photo by Barbara Amendola/IPA Press)