Paramilitary policemen carry tyres as they take part in a training session in Zhangye, Gansu Province, China, March 1, 2016. (Photo by Reuters/Stringer)

A man holds a copy of the Koran during a protest against Niger President Mahamadou Issoufou's attendance last week at a Paris rally in support of French satirical weekly Charlie Hebdo, which featured a cartoon of the Prophet Mohammad as the cover of its first edition since an attack by Islamist gunmen, in Niamey January 17, 2015. (Photo by Tagaza Djibo/Reuters)

Supporters of Ugandan President Yoweri Museveni celebrate his election victory in Kampala, Uganda February 20, 2016. Ugandan President Yoweri Museveni extended his 30-year rule on Saturday, winning an election that international observers said lacked transparency and his main opponent, who was placed under house arrest, denounced as a sham. (Photo by Goran Tomasevic/Reuters)

Members of the Bolivarian National Guard who joined Venezuelan opposition leader and self-proclaimed acting president Juan Guaido fire into the air to repel forces loyal to President Nicolas Maduro who arrived to disperse a demonstration near La Carlota military base in Caracas on April 30, 2019. Guaido – accused by the government of attempting a coup Tuesday – said there was “no turning back” in his attempt to oust President Nicolas Maduro from power. (Photo by Federico Parra/AFP Photo)

Women demonstrate on International Women's Day as they strike to demand the end to domestic violence and the country's prevailing “macho” culture, in Milan, Italy on March 8, 2023. (Photo by Claudia Greco/Reuters)

A woman tries a swing in front of a screen featuring New York scenes during the new Air France Exhibition called “Air France, France is in the Air” in New York June 25, 2014. (Photo by Timothy A. Clary/AFP Photo)

Sophia Loren gave the most legendary side-eye ever, shooting daggers at Jayne Mansfield in 1957. (Photo by Everett Collection)

“Natural History” is a series of completely candid single exposure images that merge the living and the dead to create allegorical narratives of our troubled co-existence with nature. Ghost-like reflections of modern visitors viewing wildlife dioramas are juxtaposed against the antique taxidermied subjects housed behind thick glass, their faces molded into permanent expressions of fear, aggression or fleeting passivity. After decades of over-hunting, climate change, poaching and destruction of habitat, many of these long dead diorama specimens now represent endangered or completely extinct species”. – Traer Scott. (Photo by Traer Scott)