Children dressed up as Hindu Lord Krishna pose during Janmashtami festival celebrations marking the birth anniversary of Krishna in Agartala, India August 24, 2016. (Photo by Jayanta Dey/Reuters)
Children play on top of an old plane's fuselage at a dump site in Paranaque city, Metro Manila, Philippines January 21, 2017. (Photo by Ezra Acayan/Reuters)
A girl receives Covid-19 vaccine as Nepal Government begins vaccinating children aged 5-12 at a school in Kathmandu on June 23, 2022. (Photo by Aryan Dhimal/ZUMA Press Wire/Rex Features/Shutterstock)
Children dressed as Hindu deities take part in an event to mark the consecration of Ayodhya Ram temple, in Bhopal on January 22, 2024. (Photo by Gagan Nayar/AFP Photo)
Displaced Palestinian children play with surgical rubber gloves in Rafah in the southern Gaza Strip, on May 31, 2024, amid the ongoing conflict between Israel and the Palestinian Hamas group. (Photo by Eyad Baba/AFP Photo)
Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.
Indian children work nearby to their parents at a construction project in front of the Jawaharlal Nehru Stadium on January 30, 2010 in New Delhi, India. The children accompany their parents to the work site, where if they are prepared to work, they will receive money for bread an milk and be provided with dinner by the contractor. The sheer scale of the project has drawn an enormous population of migrant workers from all over India.