The faces of war have been brought back to life after a series of World War One photographs were expertly colourised. The black and white snaps were painstakingly restored and colourised by photographer Mario Unger (53) from Rotenturm, Austria. Here: One image shows an unidentified American soldier posing with a pistol, helmet, and Iron Cross medal taken from a German soldier, 1918. (Photo by Mario Unger/Mediadrumworld)

A bride stretches before the event during the “Running of the Brides” race, in Bangkok, Thailand, December 2, 2017. Six hundred of to be brides and their grooms compete a run race aimed to win more than two million baht (61,000 US dollars or 51,000 euro) of wedding package prizes including a pair of white gold diamond rings and honeymoon trip to the Maldives. (Photo by Athit Perawongmetha/Reuters)

The snaps show photographers from around the world, who are willing to do just about anything for the perfect picture – whether that be tussling with a seal or withstanding a sharp shove from an angry gorilla. Other brave snappers can be seen getting up close and personal with leopards and great white sharks as they persist in getting the ultimate wildlife shot. Here: Christophe Vasselin gets pushed over by a gorilla. (Photo by Christophe Vasselin/Caters News Agency)

This photo provided by Red Antler Processing shows the alligator sport hunting team made up of, from left, Tanner White, tag-holder Donald Woods, Will Thomas and Joey Clark as they hoist, with the help of a forklift, the longest alligator officially harvested in Mississippi, Saturday, August 26, 2023, at Red Antler Processing in Yazoo City, Miss. The male alligator weighed 802.5 pounds and measured 14 feet, 3 inches long, and its length broke the state record as the longest alligator ever caught, according to the Mississippi Department of Wildlife, Fisheries and Parks. (Phoot by Shane Smith/Red Antler Processing via AP Photo)

Russian soldiers are pictured next to the Reichstag building in this undated photo taken May 1945 in Berlin. Some 70 years on from the Battle for Berlin, instrumental in the end of World War II, Reuters photographer Fabrizio Bensch unearthed pictures by Red Army photographer Georgiy Samsonov, showing his portrayal of a city laid siege. Bensch bought an exactly equivalent FED camera, a Soviet copy of the German-made Leica II, choosing to use black and white film to capture images of the self-same locations he detected his way to in modern-day Berlin. (Photo by Georgiy Samsonov/Reuters/MHM)

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.

“Einar Erici (1885–1965) was a physician by profession, working at a tuberculosis hospital in Stockholm, even running a private medical practice. He was by then the most renowned Swedish expert of church organs and organ builders, and his archival collection is today held by the Swedish National Heritage Board. This archive includes mostly writings, such as letters and manuscripts for published articles and essays, but also more than 2 000 black and white photos – original prints, glass plates and film negatives”. – Swedish National Heritage Board

Photo: Priest, Valamo Monastery, Karelia, Russia (then Finland), 1930s. Father Venerius with a birchbark basket. (Photo by Einar Erici)

“Mehndi or menhdi is the application of henna as a temporary form of skin decoration in India, as well as by expatriate communities from the country. The word mehndi is derived from the Sanskrit word mendhikā. The use of mehndi and turmeric is described in the earliest Vedic ritual books. Haldi (Staining oneself with turmeric paste) as well as mehndi are important Vedic customs as a symbolic representation of the Outer and the Inner Sun. Vedic customs are meant to awaken the “inner light” and so the gold of the inner Sun has an important symbolic function”. – Wikipedia

Photo: Application of henna or “Mehndi” to a girls hand in a market on October 18, 2010 in Jaipur, India. (Photo by Simon de Trey-White/Getty Images)