Women playing in the street as the snow falls on Johannesburg for the first time in seventeen years. (Photo by Keystone/Getty Images). 1st September 1962

A dragon crew team performs at a shopping mall to welcome the Lunar new year in Taoyuan, Taiwan on February 1, 2022. (Photo by Ann Wang/Reuters)

A student takes part in Tamil New Year and Vishu celebrations in Chennai on April 13, 2022. (Photo by Arun Sankar/AFP Photo)

The Forth Bridge is engulfed by mist on one of the coldest days of the year, on December 12, 2022, in Edinburgh, Scotland. (Photo by Ken Jack/Getty Images)

Nature – first prize, stories. Pandemic Pigeons – A Love Story. The photographer’s daughter, Merel, cowers after Dollie flies past and perches on the balcony before entering the house in Vlaardingen in the Netherlands on 6 April 2020. “She’s still frightened when Dollie suddenly lands on the balcony railing. I hide my smile behind the camera, as I try to comfort her by saying they won’t hurt you. “I thought he was going to attack me”, she replies. As the nesting pigeons keep coming back to our place, slowly my girls have started to appreciate them – perhaps not as much as I do, but it’s a start”. (Photo by Jasper Doest/World Press Photo 2021)

A girl looks on next to a damaged car buried in mud in an area heavily affected by torrential rains and flash floods in the village of Kamuchiri, near Mai Mahiu, on April 29, 2024. At least 45 people died when a dam burst its banks near a town in Kenya's Rift Valley, police said on April 29, 2024, as torrential rains and floods battered the country The disaster raises the total death toll over the March-May wet season in Kenya to more than 120 as heavier than usual rainfall pounds East Africa, compounded by the El Nino weather pattern. (Photo by Luis Tato/AFP Photo)

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.