Racegoers attend the opening day of the Grand National Festival horse race meeting at Aintree Racecourse in Liverpool, north west England on April 7, 2022. (Photo by John Mather/Image View)

A view shows a Lun-class Soviet-made ekranoplan, which is a naval craft and a ground-effect vehicle, on the Caspian Sea coastline in Derbent in the Republic of Dagestan, Russia on November 3, 2020. (Photo by Kazbek Basayev/Reuters)

People view pelicans napping on a footpath in St James’s Park in London, United Kingdom on a mild day October 18, 2021. (Photo by Stephen Chung/Alamy Live News)

The truth can never be seen right away. Only by looking from a certain angle can we view the true nature of things. At other times, only with the help of some special object can we discern order in chaos. Anamorphosis is a form of art that allows us to see an object only by viewing it from a certain angle or by using cylindrical or conical mirror. Unsurprisingly, the first person in history to ever use this type of technique was the Leonardo Da Vinci. During late Renaissance period this technique was popularized as a children’s toy. Now, however, few people use this form of imagery due to its intricacy. Istvan Orosz, born in 1951, is one of the few people who specialize in anamorphosis. In our opinion, his most stunning piece of art is the one where a shipwreck scene turns into a portrait when viewed through a cylindrical mirror. (Photo by Jonty Hurwitz)

Anissa Barbato from New York looks out over the city from the Edge, the highest outdoor sky deck in the Western Hemisphere on September 2, 2020 as it reopened to the public in New York. Rising 1,131 feet in the air from the heart of Hudson Yards it offers 360-degree views of New York Citys iconic skyline from the 100th floor outdoor viewing. (Photo by Timothy A. Clary/AFP Photo)

A woman uses a virtual reality (VR) headset to view images by Mexican painter Frida Kahlo in Mexico City, Mexico, 23 May 2018. The technological giant Google launched the “The Faces of Frida”, an interactive digital exhibition that treasures the heartrending work of the Mexican artist to tell her story from different points of view, with attention to the invisible details. (Photo by Sashenka Gutierrez/EPA/EFE)

Pedra da Gavea highline, 850 meters above the city, 100 meters direct exposure, March 24, 2013. Brian Mosbaugh on the line. Carefully tiptoeing almost 3000 metres above Rio de Janeiro on a thin wire got a bit too much for this adrenaline junkie – so he decided to have a LIE DOWN. Fearless Brian Mosbaugh is so used to the perilous heights he decided he deserved a short break and proceeded to kick back and relax over the famous Brazilian city. (Photo by Scott Rogers/Caters)

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