A child of a migrant worker drinks water as his mother holds him while waiting in a queue for transport to reach to a railway station to board a train to their home state of northern Uttar Pradesh, after a limited reopening of India's giant rail network following a nearly seven-week lockdown to slow the spreading of the coronavirus disease (COVID-19), in Ahmedabad, India, May 15, 2020. (Photo by Amit Dave/Reuters)

Children play on top of an abandoned car at the “Aguerridos Liberator” shanty town in Caracas, Venezuela, Thursday, May 9, 2019. (Photo by Rodrigo Abd/AP Photo)

From left, Cierra Fraser, 28, Los Angeles, a nanny, and Joslin Farley, 28, Los Angeles, a barista, poses in the outfits they wore to see the movie “Barbie” at TCL Chinese Theater in Los Angeles, California, on July 22, 2023. “I just knew that it was in good hands. I knew we were not gonna get a stereotypical barbie movie. I knew it was gonna be exactly what the people needed”, said Farley. (Photo by Jenna Schoenefeld for The Washington Post)

An affected boy walks along a muddy street after heavy rain in Nowshera district of Khyber Pakhtunkhwa, Pakistan, Friday, September 2, 2022. Planes carrying fresh supplies are surging across a humanitarian air bridge to flood-ravaged Pakistan as the death toll surged past 1,200, officials said Friday, with families and children at special risk of disease and homelessness. (Photo by Mohammad Sajjad/AP Photo)

Palestinian children practise parkour along a beach in Gaza City at sunset on January 27, 2021. (Photo by Mohammed Abed/AFP Photo)

A girl attends Friday prayers in front of an army tank in Tahrir Square in Cairo February 18, 2011. Five years ago thousands of protesters took to the streets demanding the end of the 30-year reign of President Mubarak as Egypt became the second country to join the Arab Spring. After weeks of clashes, strikes and protests across Egypt, Mubarak resigned on February 11, 2011. (Photo by Suhaib Salem/Reuters)

A woman chops a fish at her stall as a train passes by at a morning market near Duri train station in Jakarta in this February 12, 2009 file photo. (Photo by Reuters/Beawiharta)

In his series of untitled photographs Nobody Claps Anymore, the Mexican-American photographer Alec Dawson portrays ordinary people in their homes in a downbeat, ultra-stylised manner. Staring into space as they watch TV or water the garden, the real-life subjects of photographer hint at vast reserves of boredom and regret. (Photo by Alec Dawson)