Erica Daly, a District Nurse Team Leader at Mersey Care NHS, stands in front of the “Liver Bird Wings”, an artwork by Paul Curtis on a wall within Liverpool's Baltic Triangle on April 29, 2020. (Photo by Peter Byrne/PA Images via Getty Images)

A woman wearing a protective face mask walks past a graffiti, after authorities eased lockdown restrictions that were imposed to slow the spread of the coronavirus disease (COVID-19), in Mumbai, India, June 12, 2020. (Photo by Hemanshi Kamani/Reuters)

A woman walks past murals adorning the walls of Garibaldi subway station, in Milan, Friday, February 28, 2020. Due to the COVID-19 virus outbreak in northern Italy, the bustling metropolis of Milan has resembled more of a ghost town lately, as workers stayed home and tourism has dwindled there, and other parts of Italy. (Photo by Luca Bruno/AP Photo)

A mural signed by “TV Boy” and depicting Pope Francis and U.S. President Donald Trump kissing, is seen on a wall in downtown Rome, Italy on May 11, 2017. (Photo by Tony Gentile/Reuters)

These ink-redible, explosive masterpieces are like say-what-you see inkblots tests only in water. The vibrant colors burst from Brian Tomlinsons works, appearing as though they may be coloured ash clouds from an erupting volcano, rather than simply everyday substances. By doing so, Brian challenges viewers to identify what images can be imagined when mixing one fluid with another. In order to shoot the series, entitled Liquid Ink Art, Brain, 40, drops different coloured inks into a fish tank full of water before capturing high-speed shots with a flash. Here: Brian Tomlinsons ink artwork. (Photo by Brian Tomlinsons/Caters News Agency)

People look at a skeleton couple kissing installation dubbed “Till Death Do Us Part” during a Valentine's Day event in Bucharest, Romania, Tuesday, February 13, 2024. (Photo by Vadim Ghirda/AP Photo)

Laura Ford’s 1991 sculpture Twiglet has been installed at Thirsk Hall Sculpture Garden, North Yorkshire, UK in the last decade of April 2024. (Photo by James Glossop/The Times)

French photographer Bettina Rheims poses next to her work, two days before the opening of her exhibition “Pourquoi m'as-tu abandonnée ?” (Why did you abandon me?) at the Museum of Photography Charles Negre, in Nice on June 13, 2024. (Photo by Valery Hache/AFP Photo)