A cake decorated as a scene from the children's story “Little Red Riding Hood” is displayed at the Cake and Bake show in London, Britain October 3, 2015. (Photo by Neil Hall/Reuters)

A Palestinian man carries a lion cub as he shows it to children in Rafah refugee camp in the southern Gaza Strip on December 4, 2019. (Photo by Ibraheem Abu Mustafa/Reuters)

Children are seen on a bike after Muslims in Nigeria perform Eid prayer following the global outbreak of coronavirus disease (COVID-19) in Nasarawa on May 24, 2020. (Photo by Afolabi Sotunde/Reuters)

Internally displaced Syrian children who fled Raqqa city stand near their tent in Ras al-Ain province, Syria January 22, 2017. (Photo by Rodi Said/Reuters)

In this Sunday, March 11, 2017 photo, children fight in a boxing ring in Chitungwiza, Zimbabwe. Zimbabwean boys as young as 10 hurry every weekend to a boxing ring whose nickname, Wafa Wafa, in the local Shona language suggests that whoever enters will be lucky to come out alive. (Photo by Tsvangirayi Mukwazhi/AP Photo)

Palestinian men perform fire breathing on the beach as an entertainment for children during the summer vacation in Gaza City on August 1, 2019. (Photo by Mohammed Abed/AFP Photo)

A tow car for the children's “Grand Prix” races which take place in a parking lot in Livonia, Michigan a suburb of Detroit, circa 1955. (Photo by Three Lions/Getty Images)

Erik Ravelo goes straight for the jugular in his series, Los Intocables (The Untouchables). Depicting children in one the most vulnerable poses of all time, Ravelo attempts to speak for those who cannot properly articulate their pain. The sick, twisted games that adults play can come at a cost to future generations and Ravelo’s series gives a voice to those children who get caught in the crossfire.