A rusty revolver is seen near the body of a man, who police said was killed by police operatives, and two sachets of “Shabu” or methampethamine chloride were found on his pockets in Manila, Philippines August 17, 2017. (Photo by Erik De Castro/Reuters)

A boy shoots a World War II machine gun armed with blanks at an weapon exhibition during a military show near Kirovsk, about 30 kilometers (19 miles) east of St. Petersburg, Russia, Sunday, January 21, 2018. (Photo by Dmitri Lovetsky/AP Photo)

People take pictures of 30 Rockefeller Plaza as it is lit in the colors of the Democratic and Republican parties ahead of the U.S presidential election in Manhattan, New York, U.S., November 7, 2016. (Photo by Andrew Kelly/Reuters)

Two models sit in an acrylic “ZF-Car” from the German manufacturer of the same name at the Automechanika automotive service industry trade fair in Frankfurt am Main, Germany, 12 September 2016. The Automechanika Fair runs from 13 to 17 September 2016. (Photo by Boris Rössler/EPA)

Young men play basketball on an improvised court wedged between a construction site and the shells of once grand colonial homes in Havana, July 20, 2015. As much as the young in Cuba welcome political opening and economic reform, such changes are unlikely to filter down to their lives anytime soon. (Photo by Meridith Kohut/The New York Times)

An animal advocate lays in fake blood in a replica of a meat package with a label that reads “meat” during a protest “The meat is murder” in the Bulgarian capital Sofia on May 8, 2016. (Photo by Nikolay Doychinov/AFP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)

Emma White, of Team Cyclocrossworld, hits the dirt hard during the USA Cycling Cyclo-cross National Championship Elite Women's race at the Valmont Bike Park in Boulder, Colorado, on January 12, 2014. (Photo by Jeremy Papasso/The Daily Camera)