In the works of a photographer named Dave – who goes by Freaktography and never gives out his full name – haunting abandonment leaps from images of discarded machinery, tools and factory essentials. (Photo by Freaktography/Caters News Agency)

One of the invited tattoo artists, Tom Storm, works on the arm of Kerrie Hibbert at the 2017 Tattoo Collective event at the Old Truman Brewery in London, England on February 17, 2017. (Photo by PA Wire)

A young woman employee of North American Aviation Incorporated, working over the landing gear mechanism of a P-51 fighter plane, Inglewood, California, 1942. (Photo by Alfred T. Palmer/Buyenlarge/Getty Images)

A man works on a tattoo during the 8th Expotattoo Colombia Fair in Medellin, Antioquia department, Colombia on July 14, 2017. The event – which is in its eighth year – attracted plenty of colourful characters. (Photo by Joaquin Sarmiento/AFP Photo)

The Mausoleum of the Giants, an immersive solo show of monumental sculptures by the artist Phlegm, is installed at Taylor’s Eye Witness Works in Sheffield, England on March 14, 2019. (Photo by Danny Lawson/PA Wire Press Association)

A postman walks past an art work titled “Alphabetti Spaghett” by artist Alex Chinneck on Norborough Road in Sheffield, Yorkshire, England on September 26, 2019. (Photo by Danny Lawson/PA Images via Getty Images)

“We take rusty old junk and we put love into it”. The old Motor City has a unique style in bicycles these days: from fat wheels and fake fuel tanks to stretched cycles with powerful sound systems – and even a family-sized BBQ. “Detroit’s custom bike scene developed alongside Slow Roll, a weekly cycle ride started in 2010 by Jason Hall and Mike MacKool. Now upwards of 2,000 people turn up each Monday to cruise a different part of the city. The week I go the crowd seems evenly split between black and white, male and female, city and suburbs. It’s the most inclusive cycle event I’ve ever witnessed”. (Photo by Jason Walker/Slow Roll Monday Nights)

An artwork entitled “Are you still mad at me?” by John Isaacs is displayed at the Death: A Self-portrait exhibition at the Wellcome Collection on November 14, 2012 in London, England. The exhibition showcases 300 works from a unique collection by Richard Harris, a former antique print dealer from Chicago, devoted to the iconography of death. The display highlights art works, historical artifacts, anatomical illustrations and ephemera from around the world and opens on November 15, 2012 until February 24, 2013. (Photo by Peter Macdiarmid)