This photo taken on March 10, 2023 shows a panda playing with one of its twin cubs at the Sibao Science Park in Xian in China's northern Shaanxi province. (Photo by AFP Photo/China Stringer Network)

A model presents a creation from the Juozas Statkevicius Spring-Summer 2018 fashion collection in Vilnius, Lithuania, Thursday, November 9, 2017. (Photo by Mindaugas Kulbis/AP Photo)

Women in lingerie touching each other. (Photo by BDLM/Getty Images)

Lissy Elle is a Canadian photographer who creates mysterious and dreamy images through the use of props and photo manipulation. Full of woods, classic tales references, giant teacups and girls defying gravity, her work is both engaging and disturbing, it transports us to an oniric world, or is it a nightmare?

Three elephant seals put on a show in Roie Galitz's “Three Tanors”, taken on January 7, 2016 in South Georgia Island. The Comedy Wildlife Photography Awards are in full swing, so check out some of the fierce competitors jostling for the top prize this year. Photographers Paul Joynson-Hicks MBE and Tom Sullam founded the awards to spotlight wildlife conservation efforts and to inject some humour into the world of wildlife photography. (Photo by Roie Galitz/CWPA/Barcroft Images)

A model on the catwalk for the Tom Ford show at New York fashion week in New York, USA on September 6, 2017. (Photo by Swan Gallet/Shutterstock)

Serena Williams of the U.S. serves during her first round match against Italy's Camila Giorgi at the Australian Open tennis tournament at Melbourne Park, Australia, January 18, 2016. (Photo by Jason O'Brien/Reuters)

Vogue Italia is hosting a series of shows in Milan exploring how the magazine seeks to engage with hot social and political issues and provoke debate through images by top photographers. The Photo Vogue festival in Milan is hosting three exhibitions. The first, Fashion and Politics in Vogue Italia, looks at the magazine’s ambition to be a catalyst for change – in subtle and playful ways. Here: David LaChapelle – October 2004. (Photo by David LaChapelle/The Guardian)