A woman poses next to an artwork depicting Kerch bridge on fire, amid Russia's attack on Ukraine, in central Kyiv, Ukraine on October 8, 2022. (Photo by Vladyslav Musiienko/Reuters)
A robotic dog of the National Guard of Ukraine takes part in the Run4Victory charity marathon, amid Russia's attack on Ukraine, in Kyiv, Ukraine on October 27, 2024. (Photo by Oleksandr Klymenko/Reuters)
A Palestinian civil defence officer injured in Israeli attacks is given CPR on a stretcher at Al-Shifa Hospital in Gaza Strip, Gaza on October 16, 2023. (Photo by Ali Jadallah/Anadolu via Getty Images)
A serviceman of Ukraine's coast guard mans a gun on a patrol boat as a cargo ship passes by in the Black Sea, amid Russia’s attack on Ukraine, on February 7, 2024. (Photo by Thomas Peter/Reuters)
A light installation is seen on the facade on the banks of the Saone river to pay tribute to the victims of the Paris attacks in Lyon, France, December 8, 2015. (Photo by Robert Pratta/Reuters)
A woman takes a selfie in front a damaged Turkish military APC that was attacked by protesters near the Turkish military headquarters in Ankara, Turkey, Saturday, July 16, 2016. (Photo by Hussein Malla/AP Photo)
Fabrice Monteiro travelled to the most polluted places in Africa and created terrifying characters who roamed their midst dressed in eerie debris. They are spirits, he says, on a mission to make humans change their ways. Informed by Africa’s environmental problems, Fabrice Monteiro’s photographs aim to highlight urgent ecological issues all over the world. His series “The Prophecy” is on show at Photo Basel 2017 until 18 June. (Photo by Fabrice Monteiro/Photo Basel 2017/Mariane Ibrahim Gallery/The Guardian)
The images in Jessica Hilltout‘s Amen tell a gripping story of the joy soccer provides for Africa’s less fortunate. Inspired by her father, Hilltout set off to photograph soccer in Africa in all its shapes and sizes, coming to the conclusion that “the beautiful game exists in its purest form in what I saw — people playing for the joy of playing.”