Wrestler Kairi Hojo jumps at her opponent Mieko satomura during their Stardom female professional wrestling show at Korakuen Hall in Tokyo, Japan, July 26, 2015. Professional women's wrestling in Japan means body slams, sweat, and garish costumes. But Japanese rules on hierarchy also come into play, with a culture of deference to veteran fighters. The brutal reality of the ring is masked by a strong fantasy element that feeds its popularity with fans, most of them men. (Photo by Thomas Peter/Reuters)

Women stage a topless protest in Buenos Aires, Argentina on February 7, 2017. Activists take to streets of downtown after three women had been topless sunbathing on Necochea, near Buenos Aires, when they were approached by officers that told to cover their breasts. The sunbathers and officers argue, with the girls insisting going topless is not illegal, but the police insist they are offending the local culture. This protest is in support of the three women of Necochea. (Photo by Claudio Santisteban/ZUMA Wire/Rex Features/Shutterstock)

Jeepneys are seen as an enforcer manages traffic at a busy street in Manila on May 30, 2017. Jeepneys, once hailed as the “King of the Road” and a cultural symbol in the Phillipines to rival New York's yellow taxis, may soon disappear from Manila's gridlocked streets, as authorities move to phase out the Philippines' iconic World War II-era minibuses, citing pollution and safety concerns. (Photo by Noel Celis/AFP Photo)

A street artist dances tango in Buenos Aires, Argentina, Tuesday, January 20, 2015. Tango is a partner dance that originated in the 1890's along the Rio de la Plata, the border between Uruguay and Argentina. UNESCO approved in 2009, a joint proposal by the two nations to include the dance in its Intangible Cultural Heritage List. (Photo by Rodrigo Abd/AP Photo)

Khadjou Sambe, 25, surfs off the coast of Ngor, Dakar, Senegal, August 18, 2020. Growing up in the coastal capital of Dakar, Sambe never saw a Black woman surfing the Atlantic swells. As Senegal's first female professional surfer, Sambe is now inspiring the next generation to defy cultural norms and take to the waves as a surfing coach for local girls. “When I am in the water I feel something extraordinary, something special in my heart”, Sambe said. (Photo by Zohra Bensemra/Reuters)

A Parisian dances at the installation Electronica, a unique look at the great classics of 20th century electronic music, played under the vaults at the Collège des Bernardins part of Nuit Blanche, an annual evening festival of culture and art on October 03, 2020 in Paris, France. Scaled down this year because of the Covid-19 pandemic, the festival is split across the left and right banks of the city with many outdoor exhibitions to enable social distancing. (Photo by Kiran Ridley/Getty Images)

A woman and a child walk past the remains of collapsed houses damaged during the April 2015 earthquake, in Bhaktapur, Nepal March 18, 2016. The two devastating earthquakes that struck Nepal last year killed almost 9,000 people across the country. Inside the Kathmandu Valley almost 2,000 died, and some of the area's most important cultural and heritage sites were completely destroyed. As Kathmandu inhabitants prepare to mark the one-year anniversary of the event, thousands are still displaced and millions are living in temporary shelters. (Photo by Navesh Chitrakar/Reuters)

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.