A mural depicting a resting cat by Russian street artist Vladi is photographed by a man outside a hotel in Hong Kong on November 27, 2023. (Photo by Peter Parks/AFP Photo)

Liverpool fans walk past a mural of the Beatle’s Abbey Road album ahead of the Carabao Cup final match between Liverpool and Chelsea at the Camp and Furnace venue in Liverpool, Britain, 25 February 2024. (Photo by Adam Vaughan/EPA)

This photo taken on March 29, 2017 shows a young woman offering shots of liquer at a dance bar in Walking Street in Pattaya. Two hours east of Bangkok, Pattaya's bawdy reputation hails from the Vietnam War era when US GIs partied in their downtime. (Photo by Roberto Schmidt/AFP Photo)

The classical ballet company “Ardentia” performs in the street of Mexico City on traffic lights, in an effort to highlight the city's fine arts in public spaces in Mexico, September 8, 2018. (Photo by Carlos Jasso/Reuters)

A bishop walks past a new street-art collage by Italian artist Maupal showing Pope Francis playing tic-tac-toe and drawing peace signs as a Swiss guard keep watches the street near the Vatican on October 19, 2016 in Rome. (Photo by Tiziana Fabi/AFP Photo)

In this September 27, 2017 file photo, girls walk past a wall riddled with bullet holes from shootings between rival drug traffickers, at the Rocinha slum, in Rio de Janeiro, Brazil. Violence is on the rise in Rio's slums after several years of decline, and the killings of kids have shocked even residents long inured to deaths from gangs and police. (Photo by Silvia Izquierdo/AP Photo)

Heesco, Windsor. Born and raised in Mongolia and now living and working in Melbourne, Heesco is well known for his skill in rendering photo-realistic portraits. They speak to the viewer in a way that the subtext is enjoyable to decipher. Just what is the Blue Lady’s message? The sunglasses might mask the confronting gaze but her body language fills in the gaps. Heesco’s characters often wear traditional jewellery and clothing that remind us of his Mongolian cultural heritage. (Photo by Lou Chamberlin/The Guardian)