From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.

A truck lays overturned onto a car following strong winds at a Kurnell industrial park after a rare tornado hit the Sydney suburb December 16, 2015. The tornado hit Sydney on Wednesday with destructive winds above 200 km an hour (125 mph) and cricket ball-sized hail, bringing down trees and power lines, tearing off roofs, overturning vehicles and causing flash flooding. (Photo by Jason Reed/Reuters)

It would have been so much better if the pictures created by Mister Blick were real. How wonderful it would be if these men were actually holding flowers, and none of these wars happened. Regretfully, all these wars have left their mark on the history of mankind. Wars are always bad. They bring nothing but destruction and terror to the regular people, while the big players make huge profits off of the suffering of the common folk. However, establishing dominance is an integral part of the human nature, and the desire to wage wars is simply an extension of this trait. Strong countries always suppress the weaker ones to gain even more power. Unfortunately, this is as inevitable as the sunrise or sunset. (Photo by Mister Blick)

Emergency workers save a shepherd dog from a beach during a forest fire on August 2, 2021 in Mugla, a Marmaris' district, as Turkey struggles against its deadliest wildfires in decades. A roaring blaze raced toward a Turkish thermal power plant and farmers herded panicked cattle toward the sea as wildfires that have killed eight people raged on for a seventh day. The nation of 84 million has been transfixed in horror as the most destructive wildfires in generations erase pristine forests and rich farmland across swaths of Turkey's Mediterranean and Aegean coasts. (Photo by AFP Photo/Stringer)

An undated archive picture shows a dog pulling a Belgian machine gun at an unknown location in northern France. A Viscount in the Armoured Cavalry Branch of the French Army left behind a collection of hundreds of glass plates taken during World War One (WWI) that have never before been published. The images, by an unknown photographer, show the daily life of soldiers in the trenches, destruction of towns and military leaders. The year 2014 marks the 100th anniversary of the start of WWI. (Photo by Collection Odette Carrez/Reuters)

Skoda is promoting the Fabia vRS with “Mean Green”, a television commercial filmed at the factory in the Czech Republic, showing a meaner side to the 180hp 1.4L TSI turbo and supercharged Fabia hatchback. The commercial begins with the brutal destruction of the Fabia cake commercial from 2007, with the Sound of Music “Favourite Things” track providing an ongoing sense of irony. The online campaign in the UK invites visitors to decide between lovely and mean, choosing between gingerbread and venom.

Is it the surface of the Mars or Venus or an undiscovered planet? Not at all. These pictures aren’t what you think they are. Christopher Jonassen, a Norwegian photographer shot these beautiful and otherworldly series called ‘Devour of frying pan bottoms’, which are visually similar to craters and scars on a planet’s surface. In his series Jonassen refers to a quote of Jean-Paul Satre who said: ‘To eat is to appropriate destruction’ and the meaning of the word ‘devour’, which stands for eating up greedily, destroying, consuming, and wasting.

Her name is Aurora, and she is the star of “Aurora's Parade”, the London chapter of ceride – Greenpeace’s global day of action to protest against Arctic destruction. According to DesignBoom, this giant people-powered super-puppet weighs about 3 tons and needs 15 puppeteers and 30 volunteers to operate. Aurora, described as “part protest, part performance”, has fur that includes the names of each supporter in the movement. Greenpeace hopes she will bring the voice and spirit of the Arctic to the public.