Macro or Micro? Scientists’ pictures baffle our sense of scale. It began when Stephen Young, a geography professor at Salem State University in Massachusetts, tricked his biologist colleague Paul Kelly into thinking a satellite image was one of his electron microscope scans. Can you guess whether they are close-up or very far away? (Photo by Paul Kelly)

The artworks that Alexa Meade makes are very unique and original. A usual painter creates a 2D or a 3D drawing on flat 2D surface. Alexa, on the other hand, draws over the body of a regular person, making them look like a 2D painting. The pictures of these people are almost uncanny, as you realize that the eyes “paintings” are real, and suddenly it dawns upon you that you are seeing a living and breathing human being. It is weird how we perceive this world, and how easy it is to trick our brain into thinking that it’s seeing a two-dimensional object. (Photo by Alexa Meade)

Kacper Kowalski was born in 1977. With a degree in architecture, he focuses on aerial photography. Both a pilot and a photographer, he has unique control over each shot. As a result he captures previously unseen natural environments and ordinarily inaccessible cityscapes. In this way unreal, almost graphic pictures come into being. They show patterns, symmetries and asymmetries created by humans and the nature.

Architectural photographer Victor Enrich has shared with ArchDaily a series of 88 images — one for every key in the classical piano — exploring the various formal possibilities of the NH Deutscher Kaiser Hotel in Munich, Germany. “I found it beautiful,” says Enrich, “to connect two distinct artistic disciplines such as photography and computer graphics with the piano.” See further illustrations and read a full description of his thought process following the break.

Edouard Martinet was born in Le Mans, France in 1963 he studied art at ESAG, Paris and graduated in 1988. From 1988 to 1992 he lived and worked in Paris as a graphic designer, and in 1990 started sculpting and staging exhibitions. From 1992 to 1995 he lived in Charente before moving to his current location in Rennes where he teaches art at L'Institut des Arts Appliques.

The French graphic designer and photographer uses a method he calls “digital matte painting”, layering several photos on top of each other to create an incandescent composition that seems eerily familiar yet ultimately impossible. Filled with tumbling clouds and glowing focal points, the images possess a depth that stretches the two-dimensional canvases backward as violent skies seem to undulate before the viewers' eyes.

What happens in the wild is sometimes hard to imagine. Sometimes other animals can be others prey. In this case, here is a python and a crocodile who come across each other in Australia. This is a bit graphic, so beware.

Bryan Berg was introduced to card-stacking by his grandfather at the age of 8. He is a self-taught artist in all of the techniques he uses today. Berg's freestanding card structures are based on a grid-like arrangement, which Berg tested in a structural engineering lab to support 660 lbs per square foot―using no tape, no glue, no folding, and no tricks.