A bodyboarder rides a wave during a big- wave surfing session at Praia do Norte in Nazare on November 19, 2016. (Photo by Patricia de Melo Moreira/AFP Photo)

Just a week before Rio de Janeiro hosts South America's first Olympics, city residents expressed mixed feelings about the cost and security of the Games, while holding out hope they will bring joy to a nation facing economic and political crises. The conflicted thoughts mirror a recent survey by the Datafolha polling group showing that half of Brazilians were opposed to holding the Games, while 63 percent think the costs of hosting the event will outweigh benefits. (Photo by Pilar Olivares/Reuters)

Krastsvetmet, located beside the beautiful Yensei river in the metropolis of Krasnoyarsk, Russia, is a refinery of all types of precious metals on an industrial scale.

The latest ad campaign for the Israeli bookstore chain Steimatzky wonders what it would be like to take your favorite literary character to bed with you.

Look at the image for long enough and you can make the train change direction simply by thinking about it. Freaky.

A motorized three-wheeled taxi carrying Muslim students drives past the Starbucks cafe where Thursday's attack occurred in Jakarta, Indonesia, on Friday, January 15, 2016. A day after attackers detonated bombs and engaged in gunbattles with police in the central part of Indonesia's capital, Jakarta tried to get itself back on track. (Photo by Dita Alangkara/AP Photo)

At this year’s Venice Bienniale in Italy, the Korean pavilion has a curious exhibit called “Commissions for Utopia”. It includes renderings from North Korea’s top architects and artists (all anonymous), many of whom studied at the Paekho Institute of Architecture, North Korea’s state-run architectural college, and none of whom have ever left the country. They were asked to create a vision of North Korea’s future sustainable architecture for its expanding tourism industry. Their final products are a glimpse into what it would be like to envision the future after being entirely cut off from the present for almost 70 years. (Photo by Nick Bonner/Kyle Vanhemert/Venice Architecture Biennale)