“Residents in a small town littered with giant potholes may be ready to “crack” the art world – after turning their massively damaged roads into hilarious masterpieces. Fun-natured drivers from Scranton, Pennsylvania have been challenged by an arts group to turn the ugly craters in their neighborhood into pothole art”. – Caters News. Photo: Cereal bowl pothole. (Photo by Caters News)

Adventurer Sam Cossman movies towards the huge lava lake wearing a custom built industrial proximity heat suit on December 20, 2014 in Ambrym, Vanuatu. (Photo by Conor Toumarkine/Barcroft Media)

Actors wrapped in blankets react at the set of the post-apocalyptic movie “Zombie Era” at an abandoned factory complex in Langfang, Hebei province, China December 16, 2016. (Photo by Damir Sagolj/Reuters)

Giving out with a yell, Elke Sommer is tossed on the trampoline as she trains for her movie role as an athlete, on the playing field of the University of California at Los Angeles, June 8, 1967. (Photo by AP Photo)

In this October 5, 2016 photo a man looks at the work “Not to be Reproduced” by Rene Magritte at the Kunsthalle art gallery in Hamburg, Germany. The exhibition, which runs from Oct. 7, 2016 until Jan. 22, 2017, features more than 150 masterpieces of surrealism from four of the most significant European private collections of the 20th century. (Photo by Daniel Reinhardt/DPA via AP Photo)

Caporal dancers perform during the carnival celebrations in Oruro, Bolivia, Saturday February 14, 2015. The Carnival of Oruro which is a religious festival dating back more than 2000 years in an ongoing pagan-catholic blend of religious practice in the region, and is one of UNESCO's Masterpieces of the Oral and Intangible Heritage of Humanity. (Photo by Juan Karita/AP Photo)

Self-titled Pricasso – real name Tim Patch, 71, – is using his very own pen*s to create his masterpiece – and claims to have made close to £500k from his saucy paintings. Here: Pricasso gets to work with his tools - and paints The Sun's newspaper correspondent Amy Nickell with his bits in London, England on November 5, 2019. (Photo by Stewart Williams/The Sun)

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.