A visitor views the work of artists Gonzalo Duran and Cheri Pann at their Mosaic Tile House in Venice, California U.S., August 26, 2016. With an array of thrift store china, humorous souvenirs and handmade tile adorning its walls and floors, the Mosaic Tile House in Venice stands as a monument to two decades of artistic collaboration between Cheri Pann and husband Gonzalo Duran. (Photo by Mario Anzuoni/Reuters)

A firefighter recovers after climbing the 1800 steps of the Costanera Centre Tower as part of the “Race for Life” aimed at encouraging organ donation in Chile, in Santiago, on October 16, 2016. More than 500 volunteer firefighters are expected to climb the 1800 steps of the tallest building in South America to promote and encourage organ donation in the country. (Photo by Claudio Reyes/AFP Photo)

A participant rests while people take part in the Mermaid Parade at Coney Island, in Brooklyn, New York, June 20, 2015. The annual parade, founded in 1983, seeks to bring mythology to life for residents, create confidence in the district and to allow artistic self-expression in public, according to the parade's website. (Photo by Eduardo Munoz/Reuters)

While the lido was described as bringing “modernism to the masses” on the British coast it was just the latest example of a trend that had been developing since Victorian times – transforming seaside towns into resorts for leisure and entertainment. In the latter half of the nineteenth century, the fashion was for local authorities to build great piers stretching from the promenade out into the sea. The Eastbourne Pier, pictured here in May 1931, was erected between 1866 and 1870 to an ingenious design by Eugenius Birch, which saw the structure sitting on special cups allowing the supporting struts to “move” in bad weather. Arranged on the pier's 1,000-foot length were kiosks, a theatre, a ballroom and a camera obscura. 1931. (Photo by Aerofilms Collection via “A History of Britain From Above”)

Jenifer Lopez, 12, watches television at her home in Havana January 9, 2015. (Photo by Alexandre Meneghini/Reuters)

Photographer Sandro Giordoan has created a photo series of people who look like they’ve just taken terrible falls, spilling all their things around them. “Each shot ‘tells’ about worn out characters who, as if a sudden black-out of mind and body took over, let themselves crash with no attempt to save themselves, unable, because of the fatigue of the everyday ‘representation’ of living, oppressed by ‘appearance’ instead of simply ‘existing’,” said Giordano. (Photo by Sandro Giordoan)

Noriaki Iwashima gestures as he lies in a coffin to try it out during an end-of-life seminar held by Japan's largest retailer Aeon Co in Tokyo October 24, 2014. Funeral arrangements are normally left to those who have been left behind but the latest trend in Japan, which literally translates to “End of life” preparations, is for the ageing to prepare their own funerals and graves before they set off on their journey to the great beyond. With a population that is expected to shrink by nearly 30 million people over the next 50 years, the market for funerals, graves and anything related to the afterlife is still very much alive. (Photo by Toru Hanai/Reuters)

Mariam, a 9-year-old girl, carries her brother as she stands with other children at an underground ancient cemetery in Jabal al-Zawiya in the southern countryside of Idlib November 26, 2014. Residents are using ancient caves and cemeteries as underground shelters to hide in during shelling from forces loyal to President Bashar al-Assad. Picture taken November 26, 2014. (Photo by Khalil Ashawi/Reuters)