An isolated five-floor building stands in the middle of a new road on November 22, 2012 in Wenling, Zhejiang Province of China. Zhejiang Province of China. 67-year-old Luo Baogen and his 65-year-old wife from Xiazhangyang village still live in the half-demolished residential building, because they are dissatisfied with the relocation compensation. The road, which leads to the Wenling Railway Station, has not been put into use. (Photo by China Foto Press)

A man demonstrates outside Republican presidential candidate Donald Trump's news conference at Trump Tower in New York, U.S., May 31, 2016. (Photo by Shannon Stapleton/Reuters)

Photographer John Maher, once the drummer with punk bank Buzzcocks, travelled to the Outer Hebrides to photograph abandoned crofters’ cottages – many of which, like this one, have seemingly been untouched since. Here: “Peat Fire”. Taken in March 2013 on the east coast of Harris. The fire is from muir-burning, when farmers burn off grasses and heather to improve grazing for their sheep. (Photo by John Maher/The Guardian)

A visitor poses inside a three story upside-down family sized house at the Huashan Creative Park in Taipei, Taiwan April 7, 2016. Over 300 square meters of floor space of the upside-down house, filled with home furnishings, was created by a group of Taiwanese architects at a total cost of around US$600,000 and took 2 months to complete, according to the organisers. (Photo by Tyrone Siu/Reuters)

Living on the edge of Exmoor, Rob takes his inspiration from the rolling countryside surrounding his home, where each Bough House sculpture takes several months to construct. The designs do not follow an explicit plan or process, each piece is unique. They evolve and flow freely, as part of a creative journey which has no natural limit, whilst also revealing great logic and engineering integrity. Every aerial walkway or staircase leads to a room - there are no dead-ends and every turret and tower can be reached.

Architects Christophe Berdaguer and Marie Péjus get scary with this sculptural,bogey-inspired arts center in France. Situated behind the severe Synagogue de Delme, the center's design transforms an old house, which previously served as a prison, a school, and most recently a funeral home. The new intervention draws inspiration from the latter, cloaking the structure in a white veil of molded concrete that creates a "living body" which expands into the surrounding areas of the house.