Erika Kinsey of Sweden reacts after missing a jump in the women's high jump final during the IAAF World Indoor Athletics Championships in Portland, Oregon March 20, 2016. (Photo by Mike Blake/Reuters)

A worker stands under the Airlander 10 hybrid airship during its unveiling in Cardington, Britain March 21, 2016. The world's largest aircraft has been unveiled for the first time since being fully assembled in the UK. The 302ft (92m) long Airlander 10 – part plane, part airship – was floated in a First World War hangar in Bedfordshire. (Photo by Darren Staples/Reuters)

Erica Bougard of the U.S. competes in the high jump event of the women's heptathlon during the 15th IAAF World Championships at the National Stadium in Beijing, China, August 22, 2015. (Photo by Fabrizio Bensch/Reuters)

A Mongolian wrestler adjusts her hair before a match during the 2016 World Sumo Championship on July 30, 2016 in Ulaanbaatar, Mongolia. (Photo by Taylor Weidman/Getty Images)

People cheer as the ball drops at midnight in Times Square on January 1, 2015 in New York City. An estimated one million people from around the world are expected to pack Times Square to ring in 2015. (Photo by Andrew Theodorakis/Getty Images)

Sara Takanashi of Japan, Maja Vtic from Slovenia and Germany's Carina Vogt (R-L) prepare for a training session of the women's Individual normal hill HS100 ski jumping at the Nordic World Ski Championships in Falun February 18, 2015. (Photo by Kai Pfaffenbach/Reuters)

Fireworks explode over Elizabeth Tower housing the Big Ben clock in London. (Photo by Kirsty Wigglesworth/Associated Press)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)