A British woman plays a piano designed especially for people who are confined to bed. Date: 1935. (Photo by Mary Evans Picture Library/Caters News)

A Kevo smart lock is demonstrated during the 2015 International Consumer Electronics Show (CES) in Las Vegas, Nevada January 4, 2015. The lock, which opens with a smart phone App and a touch, is smart enough to know what side of the door you are on and won't accidentally unlock the door when you are inside. A new subscription service offers unlimited e-keys and other benefits, a representative said. (Photo by Steve Marcus/Reuters)

Gas-masked men of the British Machine Gun Corps with a Vickers machine gun during the first battle of the Somme, 1916. (Photo by General Photographic Agency/Getty Images)

A model composes herself during the Ukrainian Fashion Week 2020-2021 at the Mystetskyi Arsenal National Art and Culture Museum Complex on February 4, 2020. (Photo by Irynka Hromotska/Radio Free Europe/Radio Liberty)

Dana Friedman, a trial lawyer who has spent 6 months of each year growing out his beard for his annual appearance as Santa Claus since 2001, greets children outside wearing masks as a precautionary measure at the Bay Terrace Shopping Center in Queens as the global outbreak of the coronavirus disease (COVID-19) continues, in New York City, U.S., December 6, 2020. (Photo by Caitlin Ochs/Reuters)

This undated image provided by World View shows World View capsule and balloon spacecraft that will rise to 100,000 feet above Earth for passengers to see the curvature of the planet and the blackness of space. Space tourism companies are employing designs including winged vehicles, vertical rockets with capsules and high-altitude balloons. While developers envision ultimately taking people to orbiting habitats, the moon or beyond, the immediate future involves short flights into or near the lowest reaches of space without going into orbit. (Photo by World View via AP Photo)

Guadalajara-based artist Gonzalo Lebrija created a public art installation in the parking lot (1430 Delgany Street, Denver, CO 80202) across from the Museum of Contemporary Art Denver (MCA Denver) in the summer of 2010. The installation, entitled History of Suspended Time: Monument for the Impossible, was developed as a dual collaboration with MCA Denver's museum-wide exhibition, Energy Effects: Art & Artifacts from the Landscape of Glorious Excess, as well as Denver's inaugural 2010 Biennial of the Americas, an international event that celebrated the culture, ideas and people of the Western Hemisphere.