Britain Football Soccer, Burnley vs Swansea City, Premier League, Turf Moor on August 13, 2016. Burnley fan with face paint outside the stadium before the match. (Photo by Ed Sykes/Reuters/Action Images/Livepic)

People hold up face masks with William Shakespeare's portrait during celebrations to mark the 400th anniversary of the playwright's death in the city of his birth, Stratford-Upon-Avon, Britain, April 23, 2016. (Photo by Dylan Martinez/Reuters)

A pilot looks up from a U.S. F-22 Raptor fighter as it prepares to refuel in mid-air with a KC-135 refuelling plane over European airspace during a flight to Britain from Mihail Kogalniceanu air base in Romania April 25, 2016. (Photo by Toby Melville/Reuters)

A gallery assistant poses by a sculpture entitled “Dark Place” by Australian artist Ron Mueck displayed at Thaddaeus Ropac gallery in London, Britain, October 11, 2021. The exhibition dedicated to Ron Mueck will open to the public from Oct. 12 to Nov. 13 ahead of Frieze Week. (Photo by Matthew Childs/Reuters)

Liverpool fans walk past a mural of the Beatle’s Abbey Road album ahead of the Carabao Cup final match between Liverpool and Chelsea at the Camp and Furnace venue in Liverpool, Britain, 25 February 2024. (Photo by Adam Vaughan/EPA)

A person smokes marijuana as marijuana enthusiasts mark the informal annual cannabis holiday, 4/20 (four-twenty), corresponding to the numerical figure widely recognized within the cannabis subculture as a symbol for all things related to marijuana, in Hyde Park in London, Britain on April 20, 2023. (Photo by Maja Smiejkowska/Reuters)

Kenya's Reynold Cheruiyot (centre L) and Britain's athlete Jake Wightman fall after crossing the finish line in the men's 1500m final during the World Athletics Championships in Tokyo on September 17, 2025. (Photo by Jewel Samad/AFP Photo)

“Natural History” is a series of completely candid single exposure images that merge the living and the dead to create allegorical narratives of our troubled co-existence with nature. Ghost-like reflections of modern visitors viewing wildlife dioramas are juxtaposed against the antique taxidermied subjects housed behind thick glass, their faces molded into permanent expressions of fear, aggression or fleeting passivity. After decades of over-hunting, climate change, poaching and destruction of habitat, many of these long dead diorama specimens now represent endangered or completely extinct species”. – Traer Scott. (Photo by Traer Scott)