A participant covers himself with a blanket as it rains at the venue of the World Culture Festival on the banks of a river in New Delhi, India, March 11, 2016. (Photo by Adnan Abidi/Reuters)

Photographer Gregg Segal travelled the world to document children and the food they eat in a week. Partly inspired by the increasing problems of childhood obesity, he tracked traditional regional diets as yet unaffected by globalisation, and ironically, found that the healthiest diets were often eaten by the least well off. (Photo by Gregg Segal/The Guardian)

Dancers perform during the opening ceremony before the Russia 2018 World Cup Group A football match between Russia and Saudi Arabia at the Luzhniki Stadium in Moscow on June 14, 2018. (Photo by Sergei Bobylev/TASS via Getty Images)

Models, painted by bodypainting artist Alex Hansen from Brasil and Benoit Botella from Guadaloupe, pose for a picture at the 21st World Bodypainting Festival 2018 on July 14, 2018 in Klagenfurt, Austria. (Photo by Didier Messens/Getty Images)

People walk on the “Europabruecke” bridge, the world's longest pedestrian suspension bridge with a length of 494m, after the official inauguration of the construction in Randa, Switzerland, 29 July 2017. The bridge is situated on the Europaweg that connects the villages of Zermatt and Graechen. (Photo by Valentin Flauraud/EPA)

The Great Picture” is a black and white panoramic print of Marine Corps Air Station El Toro, an old military outpost. The print measures 111 feet wide by 32 feet high on seamless white muslin cloth. (Photo by Caters News)

Fireworks explode over Elizabeth Tower housing the Big Ben clock in London. (Photo by Kirsty Wigglesworth/Associated Press)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)