An Afghan girl makes a pile of unbaked bricks near the road passing through the Shamali Plains, about 10 kilometers (6 miles), west of Bagram, Afghanistan, Wednesay April 9, 2003. Children assist parents in their job to supplement family income. (Photo by Gurinder Osan/AP Photo)

Women walk at lunch time along Kings Road in Chelsea during Storm Eunice, in London, Britain, February 18, 2022. Britain put the army on standby Friday and schools closed as forecasters issued two rare “red weather” warnings of “danger to life” from fearsome winds and flooding due to the approaching storm Eunice. (Photo by Kevin Coombs/Reuters)

In this photo illustration a plastic carrier bag is blown along the road by the wind on March 4, 2008 in Birmingham, England. (Photo illustration by Christopher Furlong/Getty Images)

Fort Bourtange is a star fort located in the village of Bourtange, Groningen, Netherlands. It was built in 1593 under the orders of William the Silent. Its original purpose was to control the only road between Germany and the city of Groningen, which was controlled by the Spaniards during the time of the Eighty Years' War.

Scandinavia, always ahead of the bike infrastructure curve, has something else to share: a self-service cycle lift for hilly roads.

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.

As an American in 1990s Cuba, Tria Giovan risked being branded a traitor. But the photographer continued to visit and, from the dance hall to the hair salon, she captured the resilient spirit of the Cuban people. The 120 images in Tria Giovan’s “The Cuba Archive” are from the period in the 90s when, as an American, travel to Cuba could have seen her branded a traitor, as the country was subject to a US trade embargo. Her trip required lots of planning – and patience. (Photo by Tria Giovan/The Guardian)