The Burney, a new streamlined car on the London streets, designed by Sir Denniston Burney who was responsible for the design of the R100 (R 100) airship. The engine is in the rear. (Photo by Topical Press Agency/Getty Images). 15th September 1930
Madurodam is a park and tourist attraction in Scheveningen, The Hague, Netherlands, home to a range of perfect 1:25 scale model replicas of famous Dutch castles, public buildings, and large industrial projects as found at various locations in the country. The park was opened in 1952 and has been visited by tens of millions of visitors since that date.
Cappadocia is a historical region in Central Anatolia, largely in Nevşehir Province, in Turkey.
In the time of Herodotus, the Cappadocians were reported as occupying the whole region from Mount Taurus to the vicinity of the Euxine (Black Sea). Cappadocia, in this sense, was bounded in the south by the chain of the Taurus Mountains that separate it from Cilicia, to the east by the upper Euphrates and the Armenian Highland, to the north by Pontus, and to the west by Lycaonia and eastern Galatia.
The Milky Way is the galaxy in which Earth is contained. This name derives from its appearance as a dim “milky” glowing band arching across the night sky, in which the naked eye cannot distinguish individual stars. The term “Milky Way” is a translation of the Classical Latin via lactea, from the Hellenistic Greek γαλαξίας κύκλος (pr. galaxías kýklos, “milky circle”). The Milky Way appears like a band because it is a disk-shaped structure being viewed from inside. The fact that this faint band of light is made up of stars was proven in 1610 when Galileo Galilei used his telescope to resolve it into individual stars. In the 1920s, observations by astronomer Edwin Hubble showed that the Milky Way is just one of many galaxies.
In one of the Museum’s courtyards is a swimming pool framed by a limestone deck. When seen from the deck, the pool appears to be filled with deep, shimmering water. In fact, however, a layer of water only some 10 centimeters deep is suspended over transparent glass. Below the glass is an empty space with aquamarine walls that viewers can enter. The work sets up an unfolding sequence of experiences—we view the pool through the glass wall enclosing the courtyard; from the deck, looking down into the pool; and from the interior of the pool, looking up. The Swimming Pool might hence be considered a place where, slowly, with time, different perspectives and perceptions of self and others all come to intersect.