Balinese Hindu people take part in a cleansing ceremony called “Melasti”, in Denpasar, Bali, Indonesia, 25 March 2025. Melasti is a purification ritual where Balinese Hindus cleanse themselves and their sacred objects in the ocean to purify and renew spiritually, symbolizing the washing away of impurities and starting anew. It typically precedes Nyepi, the Day of Silence, marking the Balinese New Year. Balinese will celebrate Nyepi Day on 29 March 2025, during which Hindus on the island of Bali are not allowed to travel, work, light lamps, cook, or do any other activities. (Photo by Made Nagi/EPA)

People use large water guns to spray each other as they celebrate the annual Songkran festival in Bangkok, Thailand on April 14, 2025. Thailand celebrated the Thai traditional New Year, called Songkran in Thai and also known as ëthe water festivalí, on 13 April, with festivities going on on throughout the weekend. During Songkran, people celebrate the New Year by splashing water to each other as a sign of washing away sins and bad luck from the previous year. People across Thailand celebrate the New Year with parties and water related activities throughout the weekend. (Photo by Diego Azubel/Matrix Images)

A racoon jumps over a fence in almost deserted Central Park in Manhattan on April 16, 2020 in New York City. Gone are the softball games, horse-drawn carriages and hordes of tourists. In their place, pronounced birdsong, solitary walks and renewed appreciation for Central Park's beauty during New York's coronavirus lockdown. The 843-acre (341-hectare) park – arguably the world's most famous urban green space – normally bustles with human activity as winter turns to spring, but this year due to Covid-19 it's the wildlife that is coming out to play. (Photo by Johannes Eisele/AFP Photo)

Iraqi women practice at the sports club in Diwaniya, Iraq on November 10, 2018. On the blue mats of the al-Rafideen Club in the conservative city of Diwaniya, some 180 km (110 miles) south of Baghdad, some 30 female wrestlers, some still wearing headscarves, train three times a week. When a big competition comes up, they train every day. (Photo by Alaa Al-Marjani/Reuters)

“March 19, 2012 was the first rehearsal for the Victory Day Parade at the training ground in Alabino (near Moscow, Moscow Military District). Since the end of February troops and vehicles from various units and formations of the Armed Forces began arriving to Alabino training ground. The first rehearsal included only military vehicles. During the ride the average speed of vehicles is 12 km/h, the distance depending on the type of vehicle from 12 to 15 meters”. – Vitaly Kuzmin

Festival goers plays in mud during the 15th Annual Boryeong Mud Festival at Daecheon beach in Boryeong, about 190 km (118 miles) southwest of Seoul, July 15, 2012. About 2 to 3 million domestic and international tourists visit the beach during the annual mud festival, according to the festival organisation. (Photo by Chung Sung-Jun)

The Stone Forest or Shilin is a notable set of limestone formations located in Shilin Yi Autonomous County, Yunnan Province, People's Republic of China, near Shilin approximately 120 km (75 mi) from the provincial capital Kunming. The tall rocks seem to emanate from the ground in the manner of stalagmites, with many looking like petrified trees thereby creating the illusion of a forest made of stone. Since 2007, two parts of the site, the Naigu Stone Forest (乃古石林) and Suogeyi Village (所各邑村), have been UNESCO World Heritage Sites as part of the South China Karst.

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.