“The Reward”. “A spot that a friend and I found that takes a bit of effort to get to. Needs the right swell and wind direction to come together for the backwash to really happen. We had been many times with OK results, but this morning everything lined up perfectly and I was rewarded with this split-second moment in time under some amazing morning light”. (Photo by Scott Harrison/2019 UK Surf Photo of the Year)

The images were taken off the coast of Tonga in the South Pacific. Photographer Grant Thomas said: “Through my images I aim to show off the amazing life we have on our planet in hope of inspiring more people to experience it for themselves and, most importantly, care for it”. (Photo by Grant Thomas/Caters News Agency)

California-based photographer Seth Casteel made his name taking photographs of dogs underwater, but before that, he was snapping cats on land.

Every once and a while an artistic endeavor is so bold, so courageous and so innovative we are left speechless in its wake. Today, that project is “Pizza in the Wild”. The brainchild of Los Angeles-based photographer Jonpaul Douglass, the Instagram series that is so much more follows unsupervised pizzas – pepperoni pizzas, to be exact – living the L.A. life.

As the official airline of Middle-earth, Air New Zealand has gone all out to celebrate the third and final film in The Hobbit Trilogy – The Hobbit: The Battle of the Five Armies. Starring Elijah Wood and Sir Peter Jackson; we're thrilled to unveil The Most Epic Safety Video Ever Made

The Economic and Social Research Council (ESRC) has announced the winners of a UK national photography competition in which we challenged young people aged 14–18 for their unique take on society and the social sciences by asking them to take a picture on the theme of “Where Do I Belong?” – ESRC Press Office. Photo: “Society hurts”. (Photo by Grace Ridge/ESRC)

We pleased to present Broken Mirror/Evening Sky, a new series of striking landscape photographs by New York based artist Bing Wright. Departing from his usual pared down images in grey palettes, Wright offers us moving skyscape photographs of richly colored sunsets reflected onto broken mirrors. This new body of work marks his first return to color photography in almost a decade.