The photo taken on September 17, 2024 shows a villager walking over burning charcoal to perform a traditional fire-walking ritual called “Lianhuo” at Shuangfeng village in Jinhua, in eastern China's Zhejiang province. (Photo by AFP Photo/China Stringer Network)

A skater jumps through a ring of fire at the La Bodega Skate facilities as part of one of the Vans contests to showcase the top street skaters in Europe on September 16, 2023 in Jerez de la Frontera, Spain. (Photo by Juan Carlos Toro/Getty Images)

A man set wood on fire to prepare for worshippers to walk barefoot over burning coals during the Nine Emperor Gods festival at a temple in Kuala Lumpur, Malaysia, Monday, October 7, 2024. (Photo by Vincent Thian/AP Photo)

An Armenian serviceman fires a cannon towards Azerbaijan positions in the self-proclaimed Republic of Nagorno-Karabakh, Azerbaijan, Tuesday, September 29, 2020. (Photo by Sipan Gyulumyan/Armenian Defense Ministry Press Service/PAN Photo via AP Photo)

A person lights fire crackers during the celebrations of Mawlid al-Nabi, the birth anniversary of Prophet Muhammad, in Hyderabad, Pakistan, 04 September 2025. Mawlid is observed on the 12th day of Rabi al-Awwal (the third month of the Islamic calendar) in Sunni Islam and on the 17th day in Shiite Islam. (Photo by Nadeem Khawar/EPA)

Residents wrapped in blankets watch flames engulf bamboo scaffolding at Wang Fuk Court housing estate after a major fire broke out, in Tai Po, Hong Kong, China, on November 26, 2025. (Photo by Tyrone Siu/Reuters)

Earlier this year, Belgian film-maker and artist Vincent Bal stumbled upon an uncanny resemblance to an elephant in the shadow of his tea cup. This gave him the idea for Shadowology, a series of doodles that interact with the shadows of simple, everyday objects: a banknote, some ice cubes and a flower, for example, can turn into a church, a woman and a hippy. “I draw a few lines and I get my image. It’s really the shadows that inspire me”, Bal says. Here: “Stonedog”. (Photo by Vincent Bal/The Guardian)

Vardzia is a cave monastery site in southern Georgia, excavated from the slopes of the Erusheti Mountain on the left bank of the Mtkvari River, thirty kilometres from Aspindza. The main period of construction was the second half of the twelfth century. The caves stretch along the cliff for some five hundred metres and in up to nineteen tiers. The Church of the Dormition, dating to the 1180s during the golden age of Tamar and Rustaveli, has an important series of wall paintings. The site was largely abandoned after the Ottoman takeover in the sixteenth century. Now part of a state heritage reserve, the extended area of Vardzia-Khertvisi has been submitted for future inscription on the UNESCO World Heritage List