On the morning of the February 18th, 2025, a foreign tourist wearing a scarf walks past a store window with spring clothes hanging on the street in Myeongdong, Seoul. (Photo by Park Seong-won)

A woman selling souvenirs walks through Kuta beach in Bali June 5, 2008. Indonesia is expected to report tourist arrivals in December this week. (Photo by Murdani Usman/Reuters)

A Palestinian woman takes a picture of a member of the Israeli security forces as he takes her picture in a street in Jerusalem on December 16, 2017, as demonstrations continue to flare in the Middle East and elsewhere over the US president' s declaration of Jerusalem as Israel' s capital. (Photo by Ahmad Gharabli/AFP Photo)

A man sets himself on fire during protest rallies in front of the presidential office in Kiev, Ukraine on February 26, 2020. The man, who called himself Oleksandr Burlakov, said subsequently that his motive was to draw the attention of the authorities to his plight, related to the ownership of the land parcel. (Photo by Ihor Behus/Reuters)

The owner of the zoo Pierre Thivillon laughs next to a chimpanzee on May 17, 2021, at the zoological park of Saint-Martin-la-Plaine, two days ahead of its reopening as part of France's latest step toward the ending of its third nationwide Covid-19 lockdown. (Photo by Jean-Philippe Ksiazek/AFP Photo)

A man sells traditional doll toys and sweets for children to celebrate the birthday of prophet Muhammad, also known as “mawlid al nabi”, which will fall next week, in a makeshift tent in Cairo, December 30, 2014. (Photo by Mohamed Abd El Ghany/Reuters)

Aymara witchdoctor Ricardo Quispe, also called “Lord of the Lake”, throws coca leaves during a ritual to predict the future, at the witches market of El Alto, on the outskirts of La Paz, December 31, 2014. Dozens of witch doctors tend to a warren of stalls in El Alto, making offerings to give thanks, to promise luck at work or in love, or to call up spirits and banish curses at the end of the year. (Photo by David Mercado/Reuters)

In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)