Palestinian boy looks at a sheep at a livestock market, ahead of the Eid al-Adha festival, in Khan Younis in the southern Gaza Strip on June 21, 2023. (Photo by Ibraheem Abu Mustafa/Reuters)

Women in Pathein, Myanmar, construct in the last decade of August 2024 parasols that they will paint in vibrant colours to sell in nearby markets. (Photo by Nantapon Pattamakijsakul/Solent News)

A vendor prepares her stall as she waits for customer at a street market in Taunggyi, Myanmar's northeast Shan Sate on November 13, 2024. (Photo by Sai Aung Main/AFP Photo)

An arctic fox in Iceland spotted on March 19, 2025 by Marc Freebrey, a marketing officer from Gloucestershire. (Photo by Marc Freebrey/South West News Service)

Emily clement, 9, left, and her sister, Mallory, 9, pick strawberries together at the Trunnell's Farm Market strawberry field, Saturday, May 31, 2025, in Owensboro, Ky. (Photo by USA Today)

Afghan policemen take position at the site of a suicide attack followed by a clash between Afghan forces and insurgents after an attack on a Shi'ite Muslim mosque in Kabul, Afghanistan on Friday, August 25, 2017. Gunmen stormed a Shiite mosque in the Afghan capital while worshippers were at Friday prayers, setting off an explosion that killed a security guard outside and pushing into the shrine, officials said. (Photo by Omar Sobhani/Reuters)

Miners search for jade stones at a mine dump at a Hpakant jade mine in Kachin state, Myanmar November 25, 2015. Using heavy earth-excavators and explosives, miners have been tearing into Myanmar's northern hills in recent months, in a rush to excavate more jade from the world's richest deposits of the gemstone before a new government takes office next year. (Photo by Soe Zeya Tun/Reuters)

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.