Azalea, whose Korean name is “Dalle”, a 19-year-old female chimpanzee, lights a cigarette at the Central Zoo in Pyongyang, North Korea on Wednesday, October 19, 2016. According to officials at the newly renovated zoo, which has become a favorite leisure spot in the North Korean capital since it was re-opened in July, the chimpanzee smokes about a pack a day. They insist, however, that she doesn’t inhale. (Photo by Wong Maye-E/AP Photo)

With the humpback calving season drawing to a close, here’s a look at some of Rita Kluge’s distinctive marine photos from the south Pacific. The Sydney-based photographer fell in love with whales after witnessing southern rights from the New South Wales coastline as they travelled to and from their feeding grounds in the Antarctic. She has since been to Tonga, where humpbacks breed and calf in winter months, to photograph them in the water. (Photo by Rita Kluge/The Guardian)

Marieke van der Meer from the Netherlands works on her sculpture “Flora” at the sand sculpture show in Binz on Ruegen island, Germany, 09 March 2016. With the motto “Fascination Nature”, 50 sand artists have created oversized sculptures. The sculptors use 16,000 tons of special sand that is pressed into big blocks first and then formed. The 7th sand sculpture show on 5,600 square meters of exhibition ground opens on 12 March 2016. (Photo by Ens Buettner/EPA)

Belly dancer Nagwa Fouad sailing on the river Nile, 1972. Egypt is one of 23 countries represented at the Dubai Photo Exhibition, showing off photography that dates to the 1920s. Dubai Photo Exhibition is in various venues of Dubai’s design district from 16-19 March. (Photo by Farouk Ibrahim)

This restroom on the rubbly flanks of Jonsknuten in Norway looks up at the peak of the 904m mountain. Yu have to leave the door open to enjoy the view but the chances of being disturbed are minimal. (Photo by Olaf Menz/Lonely Planet)

When it opened in 1955, the Grande Hotel in the Indian Ocean city of Beira was one of the most luxurious in Africa. Photojournalist Fellipe Abreu documents the lives of the 3,500 people who now fill this long-closed hotel to capacity. (Photo by Fellipe Abreu/The Guardian)

In the works of a photographer named Dave – who goes by Freaktography and never gives out his full name – haunting abandonment leaps from images of discarded machinery, tools and factory essentials. (Photo by Freaktography/Caters News Agency)