From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.

Nurse's Home, North Brother Island, New York. Photographer Christopher Payne specializes in the documentation of America’s vanishing architecture and industrial landscape. His new book, North Brother Island: The Last Unknown Place in New York City, explores an uninhabited island of ruins in the East River of New York City. (Photo by Christopher Payne)

Annelie Vandendael was born in Belgium and grew up in the South of France. After college she came back to Belgium to study at the Royal Academy of Fine Arts (Kask) in Genth where she got a master degree in Photography; Images have always been a passion for her. After finishing her studies, she was invited to “La Fabrica”, the Benetton Communication and Research Center in Treviso, Italy. She was also nominated for the photo academy Award in the Netherlands and won the Award of the Roorda Agency, Amsterdam. (Photo by Annelie Vandendael)

More than 700 underwater images were submitted for the 2012 Annual Underwater Photography Contest, hosted by the University of Miami's Rosenstiel School of Marine & Atmospheric Science. This year, for the first time, the University of Miami set up a “Fan Favorite” category for its underwater photo competition. Internet users could vote for their favorite among five pictures. Todd Aki's photo of a jellyfish took the prize, snaring 599 of the 1,221 votes cast. (Photo by Todd Aki)

Allyson Anne Lamb is a Brooklyn based fine artist primarily working in photography. Her work uses the body to explore the complexity of human emotions and the continuous invisible transformations we experience, revealing them as monstrosities or fantastical beings. Through the assembling of body parts, bright colors and fictional spaces that exist in Lamb's magical realm where sexual anxiety, female identity and altered sensorial perceptions are explored, Lamb invites us to participate in an altered state of consciousness. We step in to quaint fragmented realities where we are welcomed to engage in lucid dreaming populated by colorful mutations.

Born in 1958 in Abbazia, Italy, Frank Horvat is considered one of the founding fathers of French fashion photography. Frank Horvat: Storia di un Fotografo is on at Palazzo Chiablese Musei Reali, Turin, until 16 June. Here: Prostitutes, Bois de Boulogne, 1956. (Photo by Frank Horvat/The Guardian)

Picture dated October 23rd, 2018 shows brother and sister Henry (7) and Lily Sales (9) getting in some early practice for the World Puddle Jumping Championships at Wicksteed Park in Kettering, Northants, UK. Organisers have made more puddles than ever before in an attempt to make this year's competition the biggest and best yet. They are also hoping competitors will set a new record for the most people jumping in puddles at the same time. Judges will give scores based on the height of the jump, enthusiasm, distance of splash and stickability (the amount of mud which clings to each competitor). (Photo by Geoff Robinson Photography)

I'm born in Russia in a village on the coast of the Sea of ​​Japan. The sea itself that always catches the attention of divers and underwater photographers from all over the Soviet Union.

I started with underwater photography recently, in 1998, with a simple underwater "boom box" "Canon" and "Epic".
Then a "Nikonos-5", complete with wide-angle and close-up.
The first trip to the Red Sea, with colorful fish .. The first attempts to make the macro and the knowledge that this equipment was not good.