“These creepy pictures of abandoned asylums, prisons and schools give a sense of what life was like in institutions of 20th century America. Photographer Daniel Barter, 30, captured on film bowling alleys, theatres and hairdressing salons all completely intact. The Londoner was on travelling through Americas north eastern states when he had the chance to explore the derelict public buildings left untouched since their last inhabitants shut the doors”. – Caters News. Photo: Salon equipment inside a sanatorium in New York. (Photo by Daniel Barter/Caters News)

Grand banqueting halls, opulent lobbies and vast ballrooms; you could easily be forgiven for thinking this was a collection of photographs was documenting some of Europe’s grandest hotels. However, a closer look will reveal the majestic rooms to be engulfed in swathes of dust and moss; hotels that once hosted royals and high society abandoned to the elements. This is the latest result of urban exploration photography, going beyond “no entry” signs to capture images of dilapidated buildings across Europe. IT worker Thomas Windisch, from Graz in Austria, indulged his passion for photography by traveling across the continent, visiting over 100 abandoned hotels along the way. Here: inside a hotel in Austria. (Photo by Thomas Windisch/Caters News)

Miners work extremely long days under the hot sun and the hours are often longer in illegal mines in Ghana, West Africa, 2014. An Australian photographer has captured the harsh reality of illegal mining under the unforgiving sun with these Ghanaian miners. (Photo by Heidi Woodman/Barcroft Images)

Erotic members-only club Snctm in Los Angeles, California, USA on January 28, 2017. A masqued black-tie dinner that evolves over the course of the night from amuse bouche to what founder, Damon Lawner, calls “erotic theater”, where female performers. Some guests engage, some engage only with each other (while women can buy a ticket, men cannot attend unless they’re members ($10,000-$50,000), part of a couple, or reserve dinner), and others choose not to touch at all. The monthly event at a Holmby Hills mansion is not a sеx or swingers party, but instead is about exploring the boundaries of what sеx means, and how it inherently makes us all feel. (Photo by Elizabeth Lippman)

Kale grows at Kajodlingen farm in Gothenburg, Sweden, September 28, 2016. They are doing it on the rooftops, on tower block balconies and even on a disused railway: Swedes have discovered a passion for urban gardening as a way of growing fresh food and getting back in touch with nature. Part of a global movement, an increasing number of Swedish city-dwellers are growing their own in window boxes and allotments or are visiting public gardens built in or on industrial or office spaces. (Photo by Maxim Shemetov/Reuters)

The photography duo of Floto+Warner created the series, “Colorant”, from an idea that stemmed out of a previous series and the fascination of landscapes, with results that leave one in awe. Creating shapes, not experienced in nature, they tossed colored water in the air to capture “a momentary graffiti of air and space”. Using a high shutter speed to capture these fleeting moments, Floto/Warner has produced a multi-medium series with jaw-dropping results. Photo: “Orange Salt Flats”. (Photo by Floto/Warner)

As kids we have the natural desire to explore and to create. Whenever our parents would make for us a paper plane, we would become overjoyed seeing it fly across the room. However, planes are not the only thing that can be made from paper, and not only kids are fascinated by it. Some people master the art of origami and are able to create pretty much anything. You never know what’s going to come out when the artist twists and turns a piece of paper in meticulous ways. Finally, the figurine is complete, and you immediately see the striking resemblance of this piece of paper with an animal or some other creature. Ross Symons is one of those artists. He creates his figurines simply for the joy it brings him. Maybe, he uses this as a medium to enter his childhood, or maybe he has other motifs – we will never know. (Photo by Ross Symons)