“Venus & Furs” by Swiss Photographer Yann Gross, 2011. Hyères Fashion & Photography Festival, France. Photo: “Tatiana and Belene, from the series Venus & Furs”. Taylor Wessing photographic portrait prize 2011. (Photo by Yann Gross)

UK-based digital artist Dan Lester combines photography and illustration into clever and intriguing images that really make you question what you're looking at. Is it a photograph or a drawing? In actuality, it's both. The digital illustrator manages to bewilder his audience by merging the roles of model and artist into one entity in an innovative fashion. (Photo by Dan Lester)

This photographer has promised to his girlfriend Belmar that he will follow her all over the world. The Russian photographer has realized this photo collection from various places all over the world. staying always behind his girlfriend. We don’t see the face of her, but he loved her so much dedicating this photography set.

The German Society for Nature Photography (GDT) has selected its Nature Photographer of the Year 2020. Here: Winner, Other animals. Jens Cullmann – Danger in the Mud. Crocodile in a drying pool. (Photo by Jens Cullmann/2020 GDT Nature Photographer of the Year)

The British Ecological Society has announced the winners of its annual photography competition, Capturing Ecology. Taken by international ecologists and students, the winning images will be exhibited at the society’s joint annual meeting in Ghent in December. Here: Overall runner-up; Toucan, Mark Tatchell. (Photo by Mark Tatchell/British Ecological Society)

Mug shot of De Gracy (sic) and Edward Dalton. Details unknown. Central Police Station, Sydney, around 1920. (Photo by NSW Police Forensic Photography Archive, Justice & Police Museum, Histiric Houses Trust of NSW)

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.

Photographer’s Pol Ubeda Hervas perspective in his “I’m not There” series, is going against the flow. While the focus of modern photography is set on the human interaction with his surroundings, Hervas changes thing up by capturing the human absence from said surroundings. The concept behind the series is deeply metaphorical, visual food for though reflecting the situations where the change is irreversible and we cannot even recognize ourselves.