Ethnic Wa performer dressed as United Wa State Army (UWSA) soldiers perform a traditional dance in Mongmao, Wa territory in northeast Myanmar October 1, 2016. (Photo by Soe Zeya Tun/Reuters)
Talented French artist, Pierre Beteille, is skillful in manipulation of portraits (specially his own self portraits) using Photoshop. This is how he describes himself: “I am not a photographer or an artist, I just make images… I shoot very average or even bad photos that I try to improve thanks to Photoshop”…
Photo: “En attendant d'avoir des balles”...., 2007 (Photo by Pierre Beteille)
Kevin Kvasnicka (L) and Jesse Gonzales openly carry firearms as they watch U.S. Republican presidential nominee Donald Trump speak on a big screen television along East 4th street during the Republican National Convention in Cleveland, Ohio, U.S., July 21, 2016. (Photo by Adrees Latif/Reuters)
“Eye of the Tower” by Mehmet Yasa; Verona, Italy. “The staircase and the bell looks like an eye. Architecture can fascinate us in many ways”. (Photo by Mehmet Yasa/Art of Building Photography Awards 2017)
Ford is celebrating the 50th anniversary of the Mustang with a limited-edition model and a display atop the Empire State Building. The car had to be broken into five pieces for the ride up the building’s elevators and reassembled late at night, when the deck is closed to visitors. Photo: The 2015 Ford Mustang convertible, assembled overnight, sits on the observation deck of the Empire State Building. (Photo by Hiroko Masuike/The New York Times)
A tourist poses on the glass-bottom bridge at Zhangjiajie Grand Canyon on August 20, 2016 in Zhangjiajie, Hunan Province of China. The Zhangjiajie Grand Canyon's glass-bottomed bridge welcame its trial operation on Saturday and about 8,000 tourists crowded to view the grand glass bridge. (Photo by VCG/VCG via Getty Images)
A mahout rides an elephant among the traffic down a street in Piliyandala, a suburb of Sri Lanka's capital Colombo on September 27, 2020. (Photo by Lakruwan Wanniarachchi/AFP Photo)
Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)